I’m working on the final congregational arrangement for my third volume of piano congregational arrangements!

This volume is geared to the church pianist at the early advanced level. Check out Piano Congregational Arrangements Volumes One & Two.

This collection will be published on July 20, 2023 at a special rate of  $13 (sales price good for July 20th (3pm EST)  through July 22nd (10pm EST)  After this time, the regular price of $16 will apply.

Chorus Sampler for Beulah Land (piano congregational style) 

Part Two:  Chorus coming this Monday!

I LOVE adding zest to the old hymns.  Over the past several years…I have become more free with congregational accompaniment…meaning…I play less melody  IF the hymn is familiar to the congregation.)

The congregation REALLY gets in to this particular hymn. They sing it with much enthusiasm!

I will publish the chorus for Dwelling in Beulah Land this Monday.

Click here to get Part One” Dwelling in Beulah Land (VERSE ONLY)

Click on image below to enlarge…

As promised, here’s the verse of Dwelling in Beulah Land like I might play for congregational singing at my church. (link contains verse and chorus)

Editor notes:

1.  This arrangement was written to be handled at about quarter note = 120 tempo
2.  I ironed out the excessive wrinkles (dotted quarter note + eighth note) and played  more even rhythms to make it easier on the hands of the pianist…as in measures: 1,3,5,6 etc.
3.  I also inserted 6 quarter note rests during the verse to break up the right hand movement and for interesting rhythm!
4.  The quarter note + half note rhythm in the left hand created more rhythmic drive.
5.   I have more freedom with this song because our congregation knows it very well.  You would need to add more melody if your congregation is not as     familiar with this song. Notice: I used just enough melody to prevent me from being disorientated and to provide some melody stability for the singers 😉
6.  My goal is to make the congregational style accompaniment support the singers and to make it enjoyable/comfortable for the pianist to play

Click here to download your free copy of verse & chorus.

Dwelling-in-Beulah-Land-piano-congregational

Can the church pianist modulate up a half step from verse to chorus during congregational singing? The answer is…yes!  🙂

(Of course….with the song leader’s permission)  😉

Jenifer gives  several modulating tips in the following video tutorial.

Click below the video to download the FREE printable that provides several modulation examples for modulating a half step from the verse to the chorus during congregational singing.

FREE MODULATION EXAMPLE SHEET

Part Two Modulation Up Whole Step

Last night was the first night to have my students playing for congregational singing.

They enjoyed it!  I plan to publish the beginner level congregational arrangements asap!  Alot of exciting things happening 🙂

Beginning January 2019…I’m starting something new with my piano students who attend our church….three are beginners and one  late elementary student.

I will include them in playing for the congregational singing. (At least two at a time) One on digital…the other on portable keyboard. (Evening services only)  Why? Not as big of a crowd in the evening services 🙂

(I write the hymns at their level for this)  I already have ten hymn arrangements ready for the beginners (C position and Middle C position note range)  Preparing the late elementary level ones now.

Oh!  An added plus…the arrangements can stand alone as an offertory if needed or all of the students could play as a group offertory 🙂 My students LOVE to play group offertories!  (More info below this video)

So…I’m keeping written record of who knows what song and I plug them in when I know we’re singing a hymn they can play.

This gives my students more purpose in learning and they will progress very well with this opportunity in front of them 🙂

It’s amazing how well a student advances when given the opportunity!

Side note:

Each hymn arrangement will show a minus or plus number so the student can set the appropriate key on their keyboard.

One of my piano students recently requested improvising ideas for More About Jesus.

Specs I consider before improvising a hymn:

1. Key signature
2. Time signature
3. Chord structure
4. Tempo  (the faster the tempo = less notes, the slower the tempo= more notes

In this tutorial, I added improvised notes for a moderate tempo.

Click HERE for free printable version of “More About Jesus” (verse only)

Wow! I already have a list of at least twelve different left hand patterns for hymns with busy melodies in 4/4 time!

Can’t wait to complete this first booklet of ideas!

It’s a challenge for me to focus on just one aspect while preparing instructive material because I come across so many other ideas closely related but don’t want to give you all info overload!

I’m  jotting my random ideas down and saving them for another time.

I think the greatest challenge during the prep time is coming up with a simple, concise way to present the concept.

Here’s an example of how I may display the left hand patterns on the master content list. (There will be PLENTY of visual examples to accompany these ideas)

1. octave-chord-octave-chord (all quarter notes)
2. octave-chord-octave-octave (all quarter notes)
3. octave-chord-octave-quarter-rest  (three quarter notes plus one quarter rest)

As of now….I plan to number the visual examples with the number that corresponds to the numbered list of patterns on the master content list.

There are SO many variables to this topic. I will have to discuss right hand activity as well since the left hand is affected by what the right hand plays.

For example: It’s easier on the pianist (truly!) to omit notes here and there during a busy melody  and focus more on the main beats. The singers can fill in the missing notes 😉  The key is… omitting melody in places that don’t throw off the singers.

Simple:  Start by playing melody at the beginning of the song and then omit a note here and there once you get them going 😉

More on that topic in my first booklet.

How to play with a conversational style on wordy hymns…a topic that’s been on my mind lately.

A good example of a wordy hymn is “My Savior First of All”.  I’ll share tips on how church pianists can play this particular hymn with a natural/conversational tone…making for a more meaningful delivery even when playing for congregational singing.

Coming soon….next week 🙂  Hmm…next week has come and gone due to unavoidable circumstances 🙁  I will do this asap!