Looking forward to sharing a video tomorrow that shares the big surprise I received this evening from one of my young piano students!

Stay tuned for tomorrow!  🙂

Just to bring my readers up to date!  I’m trying to finish my first left hand pattern booklet. The written copy is near completion.

Contents for Left Hand Pattern One (Booklet One)

Four measure music examples in addition to ample application for reinforcement! (Keys covered: C , F and G and B flat)

Video content:  Teaching session of entire booklet with extra info not  shown in booklet, this includes me playing all hymn examples in the booklet.

Now to create the video that will be included with the PDF booklet!

I’m sharing the Foreword page plus one page  of the booklet.

I’ve been thinking lately on  the different aspects of the church pianist’s role in the church.                                                                                                 

In my 30 plus years as church pianist, I’ve never been paid to serve in the area of music ministry.

I’m not apposed to those who are paid to serve but our mindset should be “to serve” regardless if we’re paid or not paid.

As a Christian, we know that we are to strive to be Christ-like and to love the church as Christ loved the church.

Therefore, I always want to try and honor God in all I do…especially within the church consisting of my  fellow believers.

Here’s a list of ideas that run through my mind when serving at our church. (I need to take heed to this list!)

1. Love my fellow believers as God would. It’s amazing how much falls into place when we just love our brethren no matter what.
2. Patiently mentor those who need lots of practice
3.  Think on words of songs while playing to clearly portray the message of the song (not just a bunch of useless dots on the page)  😉
4. Adequate preparation to be more effective
5. Compliment someone after they’ve played or sung a special to encourage them. (Slip them a text or note)
6. Remember to follow the song leader   (exception: use your own judgement if you have a leader lacking rhythmic abilities 😉
7. Give encouraging words to those you rehearse with (examples: Just sing from your heart!   I’ll pray for you as you sing, or thanks for being willing to sing, you’re such a blessing!)
8.  Be as organized as possible! (Keep things tidy around the piano areas, such as put away music)  I have a basket on the floor by the piano at church… that holds music I need on a regular basis.
9.  Give uprising pianists an opportunity to play for choir or prelude, etc. to build their experience level. (A great way to maintain a fill-in pianist for when you’re sick or out of town)  *Tip: try using them at least once a month to keep them in shape.  They do better if they play on a consistent schedule.
10. The piano bench doesn’t have my name engraved on it!   SHARE!!!

I attend a small country church in the foothills of North Carolina so some of the above tips/ideas may not apply to your situation.  We have what I call a very “unique” church because they are SO loving and supportive.

When someone sings a special…our congregation is  rooting for the singer or instrumentalist, supplying periodic “amens” and nodding of heads as they listen.  You’ve probably picked up on that from the videos I share.

We also include children in our special music ministry.  It thrills my heart to hear young ones sing.  More importantly, it thrills the heart of our Savior.

Feel free to share your thoughts on the role of a churh pianist.

Something that has really been on my mind lately is the mind set of the church pianist regarding the role of a church pianist.

As a church pianist, do you ever give yourself a periodic mind check…to make sure you’re being effective?

I get so busy maintaining the special music schedule and practicing before and after services that it’s SO easy to forget other aspects in the church pianist’s role that you may not have considered.

I’m making a little list and will share it soon.  Once you see my list….maybe you’ll have some other ideas to share as well that would help us all as we strive to honor the Lord in our role as church pianist.

The following pieces are great easy-to-learn piano arrangements for students needing a recital piece or for beginning church pianists!

My students play two ensemble numbers in addition to a solo piece…so we don’t get too involved with just one piece.

God Rest Ye Merry Gentlemen

Easy-to-learn piece for recital or offertory

Late elementary Christmas Piano Solo, 2 pgs.

Price: $2.75

O Little Town of Bethlehem

Late beginner Christmas Piano Solo, 2 pgs. Easy-to-learn carol for recital or offertory.

Price: $2.00

I enjoy creating pieces with a certain student in mind. This particular piece goes to one of my older female students who enjoys playing songs in a minor key.

The idea for the introduction hit me as I laid down to sleep this past Wednesday.  I had to get up and write it down or the idea would have been history!

Even though I’m an advanced level pianist, I still enjoy playing this early intermediate arrangement of “O Come O Come Emmanuel”.

O Come O Come Emmanuel

Early intermediate Christmas piano solo, 2 pgs. A nice selection for Christmas recitals or offertory.

Price: $2.75

Meryt Wilson and I REALLY enjoyed getting together a couple weeks ago to discuss Accompanying Vocal Specials.  We came up with a series of short videos talking about various ideas on accompanying the vocalist.

Here are several practice tips for the church pianist who plays for vocal specials.

In our next video…we’ll share a couple thoughts when creating an intro for a vocal solo.  Meryt sings while I try to create intros!

Practice Tips

Part One

Finding time to practice vocal specials is a challenge for most church pianists!  Listen to Meryt Wilson and Jenifer Cook as they discuss this challenging topic.

The following article discusses the limitations that come with the intermediate level church pianist.  A reminder, they are doing the best they can do for the moment. But with a little extra practice…they can blossom into a fuller sound of playing by expanding their right hand horizon; opening up space for more left hand creativity!  The following article is meant to encourage the intermediate level church pianist.

Most intermediate level church pianists play basically in the middle area of the keyboard when accompanying congregational singing or other vocal specials.

(See the picture of their range below)

The bass part in the hymnal doesn’t normally go below the second G under Middle C and the right hand probably doesn’t go as high as the second F above Middle C unless the intermediate pianist takes quick ventures into the upper register 😉

When the right hand stays within this boundary…the left hand playing space is limited.  Taking the right hand an octave higher for an occasional spin…opens up more room for the left hand. This does not mean the pianist must stay an octave higher throughout the entire hymn.  It’s actually better to use a combination of both the middle or upper register for variety in sound.

When to change registers for the right hand?  In my early days of training, I was taught to change right hand registers at the end of a line which equates to at least two sentences.  It’s nice to gradually work your way up or down by playing extra chords or notes leading into whatever register you’re heading for.

See example below in the hymn excerpt “Like a River Glorious” (click on image to enlarge)

Click HERE to download free pdf copy of this image without comments in red

And the winner is…