I am working on a “FREEBIE” for “What a Friend We Have in Jesus” congregational style. (Not intended for piano solo since it’s accompaniment style) Download it HERE
Our church LOVES to sing What a Friend We Have in Jesus! As I was playing for them to sing last night, I thought, “I could just download and capture that part of our service and use it as a teaching tool.
So…You’ll have to listen to the two clips below and notice the instructions embedded in the clips. These fill-in tips are only meant to be suggestions.
I know each church pianist has their own version of fillers but I thought I’d share a couple for you all to grab by ear. Of course not every church pianist plays by ear so….I can create up to several of these fillers in written form once I hear from you all. Please leave your fill-in requests below in the comment section so I can start creating a few in print for you! 🙂
Ah! I’m hearing you all now! I will see what I can do about sharing some of these fill-ins for “What a Friend We Have in Jesus”
I’m assuming most of you play this song in F Major…..right?
Hope you all enjoy playing this arrangement of No One Understands Like Jesus. It’s the first arrangement I’ve written since my Dad passed away in June of 2022.
I thought my heart would ache too much to write after Dad’s passing but God has given me more compassion over the old hymns of the faith because they mean so much more now!
This particular advanced sacred piano solo is geared to the advanced church pianist. I’ve included four long runs for the right hand. Tip: Practice the runs S_L_O_W until they begin to flow and then slowly insert the run into its surrounding measures until you’ve mastered each run.
Advanced sacred piano solo in the key of C Major.
Includes: two verses and two choruses arranged by Jenifer Cook.
This is the first piano arrangement Jenifer has written since her Dad passed away in June 2022. Jenifer found comfort in her dear Savior during this difficult time as she passionately played "No One Understands Like Jesus! He's a Friend beyond compare!"
My dad passed away peacefully on June 2nd with most of his immediate family present.
I wasn’t able to get there soon enough before Dad passed but I did get to talk face to face with him on my phone.
How I miss him but know he’s so much better off. My Mom is doing well. God has brought much peace to our family.
Thank you all for your prayers and notes of encouragement.
Dad & Mom were a big part of my musical training without them even realizing it. They always brought the hymns and songs to life by singing with such expression as though they were just speaking the words. Dad always taught me to “feel” the music.
He would say “Singing is just elongated speech”. How true that is!
Over the years the words to hymns have been such a balm to my soul. Now…hymns have taken on a deeper meaning.
Mom and I were talking the other night on the phone…trying to come up with a playlist for tomorrow’s facebook event.
We decided to focus on hymns of heaven & comfort. Mom reflectively said, “You know…Dad sang more about heaven
recently than any other time.”
I will be playing live on Facebook tomorrow evening June 16, 2022… at 8pm EST. Anyone on or off facebook can view the video at the following link:
I’m almost finished with a tutorial showing how to add sixteenth note runs to hymns. (For the late intermediate pianist and beyond)
This particular tutorial will deal with adding runs to congregational accompaniment.
There will be five pages of examples for this particular run in various keys, time signatures and different hymn excerpts.
Each example will not only show the run application but will also share a graceful way to work out of the run.
This Sixteenth Note Run tutorial will be available in my online store asap.
I’ll publish a brief you tube commercial before publication.
For adequate preparation on my part….What questions do you have about playing runs in hymns or what difficulties do you face when playing runs etc.? Thanks in advance for any feedback!
“When I Looked up to the Cross” is one of my most favorite songs written by my Dad, Reece Yandle.
This particular vocal solo is perfect for Easter. I love the phrase, “When I looked up to the cross and gaze on His face. That’s when I thank Him for His love and His grace.” It’s such a powerful song about the death and resurrection of Jesus. Click HEREto see Dad singing this piece.
Dad has another Easter type song entitled “Nevertheless Thy Will be Done” that’s also a great selection around Easter time. I arranged both of these songs of Dad’s. However, this second piece is only available through Lorenz who is now under GIA Publications. The lyrics to this reflective song… opens with a scene of Jesus kneeling in the garden of Gethsemane and his heart-rending prayer…”Let this cup pass from me…nevertheless Thy will be done.” The final phrase is “Thus cried the Savior God’s own Son, nevertheless Thy will be done.”
Also note, “Nevertheless Thy Will be Done”, is in a vocal book from various authors.
I do have another vocal arrangement in the same book written by one of my youth directors, Rusty Dillard, and it’s also a great song about the story of Joseph.
Click on the following song links for more information:
For those wanting more written examples… I’m sharing two more visuals of right hand runs using sixteenth notes.
Runs add a nice driving force to the music and creates energy if played correctly 🙂
Tip:
Emphasize the 1st note in each sixteenth note group for a more shapely sound. Emphasizing every note can sound mechanical.
In my earlier days of being church pianist, I would often rush a run. It’s so easy for our fingers to speed too much when viewing a sea of black notes that need to occur in a brief moment! I had to make myself slowly practice the run and count the main beats as I conquered the sea of notes in front of me. In time the run sounded like it fit! Just remember….not all runs mean “super fast!”
Click on the following title to download free pdf with two more examples of this right hand run:
have a suggestion for a good performing piano lamp of this nature?
