I never really noticed the time signature change in “Just When I Need Him Most” until today.

We sang this at our church last night for a congregational and the people REALLY enjoyed singing it.  The words are so comforting!

It’s just one of those seasons at our church where there’s a lot of physical needs and such a song reminds us of Jesus’ ever-present help 🙂

We sang this song in a prayerful mood with  a slow walking speed so I had time to add left hand flowing patterns similar to the following free pdf of “Just When I Need Him Most”.

Most importantly, notice the key change at the chorus….but the flow will still be pretty much the same 🙂  I actually changed to 6/8 timing one measure earlier than the hymnal shows… because it felt more natural to not hold as long before entering the chorus.

Maybe this will help a beginning church pianist to see what fill-ins could be used for a slow to medium hymn in 6/8 or 9/8 timing… such as my arrangement of “I Must Tell Jesus”.

Warning: This arrangement is NOT intended for piano solo use… due to missing melody notes at the beginning of the chorus…unless of course you know how to add them in 😉

Click on song title for free download: Just When I Need Him Most

The skill of transposing is an extra plus for the church pianist if she or he is going to accompany someone to sing in their comfortable range…(another article) 😉

There is an art to finding just the right key for whomever you’re accompanying.

The following free pdf on Transposing Up a Whole Step will familiarize the church pianist on how to transpose up a whole step in a song of  3/4 time going into another song in 3/4 or the first song…different verse.

There are many factors to consider when creating a key change between two songs. For example, the first melody note of the second song determines the melodic direction of the key change.

Editor notes for Transposing Up a Whole Step: Lesson Two

1. Play measures #1,2,3 and then start another verse of Amazing Grace on 3rd beat of measure #3
2. Play measures #1, 2, and 4 and go right into Grace Greater Than Our Sin

Each line of this free pdf is identical to the first line except in different keys. Try finding hymns to use for the remaining lines of examples.

Variety tip: You can use this same transposition idea for a 3/4 hymn to a 4/4 hymn by holding the 3rd beat of the 3rd measure for 2 beats and then go into the 4/4 hymn IF the 4/4 hymn begins with a complete measure or at least the 4/4 hymn contains at least two beats at the beginning..in order for it to create a smooth sounding transition.

Clarification:  The above transposition isn’t appropriate for congregational playing because of the additional measures used to create the key change. A shorter version would be necessary for congregational singing.

However…this transposition idea works great for offertories, preludes and accompanying instrumental or vocal special.

Click on following title for free pdf download: (Let me know if you’re having printing issues with this PDF. I think it’s just my printer but note sure..it seems my margins are wacky when it prints)

Transposing Up a Whole Step Lesson Two

Transposing Up a Whole Step: Lesson One (see chord structure for the above free pdf.

Several of my church pianist readers have requested an easier alternate ending for the piano arrangement of Holy Holy Holy.

So…I’m offering it for FREE below as a pdf printable version.  This will replace page 3 & 4 of the Advanced version of Holy Holy Holy making it accessible for early advanced pianists!

HOLY HOLY HOLY_Page_3_FREE

*Link for full arrangement below:

Music Store  Advanced Piano Solos

I have compiled several of my free Christmas piano arrangements under the ” Free Hymns Pdf” page for easier access. 

 Most church pianists are gearing up for Christmas; searching out Christmas piano arrangements. Hope these free arrangements are a help to your music ministry.