Archive for the ‘Vocal’ Category

New Vocal Solo! “When I Looked Up to the Cross”

Monday, October 14th, 2013

I’m very excited about publishing “When I Looked Up to the Cross”, sacred vocal solo by my dad, Reece Yandle.

This is our family favorite.  My youngest son had this song sung at his senior graduation.

You will enjoy this uplifting melody with a salvation emphasis!  The video below was recorded before the written arrangement and differs slightly… but will give the listener the writer’s intended interpretation of the song….especially since the writer himself is singing in this video 🙂  Thanks dad for allowing God to use you through this song!

 

When I Looked Up to the Cross
Sacred vocal solo; 6 pgs. An uplifting melody with a salvation emphasis. *Price covers two copies.
Price: $6.00

 

 

God Can SAB Choir Arrangement Just Published!

Friday, September 20th, 2013

I’m excited to offer to you a wonderful mission/revival song  from the heart of Lynndale Hardeman.

Lynndale has written other songs as well that we plan to publish in the future.

I believe this is our church’s favorite choir piece!  The soul-stirring message of this SAB choir special will bless all who hear and sing it!

“…can God redeem a sinner…yes He can!”

“…can God revive a Christan…yes He can!”

“…can God restore a nation…yes He can!”

God Can
Trio or SAB sacred choir arrangement, 9 pgs. *Price covers 10 or more copies See video link below to hear our choir sing this arrangement. The written piano score is similar to the video. I played the arrangement by ear on the video.
Price: $8.00

Amazing Grace & Saviour Like a Shepherd: Youtube

Thursday, June 6th, 2013

Flowers520

I have posted audios for  my piano solo arrangements of Amazing Grace & Saviour Like a Shepherd (from the Funeral Collection).. on youtube.

Several of my readers have asked if I could post all of  the  arrangements from my Funeral Collection on youtube.  I will do so as time permits. Thanks for your interest!

These arrangements can also be used as offertories, vocal solos or violin specials! Saviour Like a Shepherd would also be appropriate for a wedding 😉

 

Free Piano Arrangement of “O How I Love Jesus”

Thursday, May 30th, 2013

Most church pianists find it a challenge to dress-up hymns such as “O How I Love Jesus”.  This particular hymn mainly consists of only two different chords the I and V chords)… with an occasional ii chord.

So…how to be creative with a hymn containing minimal chord changes?  I’m glad you asked!  🙂

(I’m currently working on a congregational piano arrangement book for church pianists that need more than the hymnal to play from.)

“O How I Love Jesus” is one of the ones I’m working on now.  The complete arrangement will have two verses.  Click below to download the first verse of “O How I Love Jesus” FREE!

Hopefully, the following free congregational arrangement will spark some creative ideas of your own.

Oh-How-I-Love-Jesus-one-verse

*Special note: The congregational hymns in my book will be in lower keys than the regular hymnal…making the hymns more singer-friendly.

The Soloist With a Limited Voice Range

Wednesday, May 22nd, 2013

Do you find it challenging to find vocal specials for soloists with a limited voice range?  I sure do!   When I say “limited voice range” I mean a five to six note-spread.

Here are a few hymns that contain a five to six note spread…working great for the limited vocalist:

At the Cross

Wonderful Peace

Abide With Me

His Grace is Sufficient for Me by Mosie Lister

Oh How I Love Jesus

Take Time to Be Holy (Key of E flat may work better)

Take the World But Give Me Jesus by John R. Sweney (E flat may work better)

So Send I You (without special ending to avoid the high note)

*This is just a few of the old hymns that would be suitable for soloists with a limited voice range.

Choir Arrangement: SAB “God Can”

Tuesday, April 9th, 2013

I’m excited about this new SAB choir arrangement that I hope to publish by the summer of 2013! The song “God Can” is written by Lynndale Hardeman. You’ll love the revival type message of this song!

I will have to say this is our most favorite choir arrangement.

Come Thou Fount (free ladies’ arrangement)

Monday, April 8th, 2013

Just thought I’d share a video of our small ladies’ ensemble singing “Come Thou Fount”.

You can download this arrangement for free.  Just click on the tab “Free PDF Hymns” at the top of this page to download your free copy of “Come Thou Fount”.

 

 

Playing for Funerals

Saturday, April 6th, 2013

Flowers520

Playing for funerals is not the easiest task for a church pianist; especially if the deceased person was a close friend.  Over the past year, I’ve had to play at several funerals of people I knew very well.

God has given me the grace to make it through these funeral services. I like to play songs that comfort the family as well as myself.  I avoid too slow of a tempo on purpose…making it less of a sad tone and more bearable for the family.  Hymns with a medium tempo/mood such as Tis So Sweet to Trust in Jesus, He Hideth My Soul and Like a River Glorious are a few of what I call comforting tunes to play at such a time. Check out my piano funeral collection consisting of about 18 minutes playing time.

Several readers have emailed me lately asking for funeral tips.

Automatically I think of the prelude (music played before the funeral).  The length of the prelude can vary according to many factors.  For example, the last funeral I played for took place at a funeral home.  The family of the deceased person had many relatives that attended the viewing across the hall from the chapel.  The funeral home provided music over their intercom system during the viewing time.  We worked it out for me to start playing the prelude once the people started entering the chapel which was about twenty minutes prior to the service.

Playing for a funeral at a church can vary depending on if the viewing is held at the church or not.  At our church,  the sound man provides soft taped music in the background during the viewing and sometimes a little longer prior to the service;  to avoid having me play for an extended period of time.  The background music is just a collection of suitable recorded instrumental music from our church services.  I usually begin playing about 15 to 20 minutes before the service.

Unless you all do things differently,  the immediate family members start filing into the area of the funeral service right before time to start the service.  This is one of the most emotional times of the funeral.  I make sure I continue providing music during this difficult time to avoid an awkward time of silence. I finish playing when I see the last member of the family being seated or when the pastor looks at me and steps up to the pulpit to let me know he’s ready…whichever comes first.

Once again, at the end of the service, I begin playing when the family begins to exit and continue until the majority of the crowd disperses.

Some pianists have asked me where to expect the soloist(s) to sing.  Depending on the order of service, the special music can be placed just about anywhere. Here are  the different places I’ve seen vocal specials during a service:  at the beginning after family members are seated, after an initial welcome and remarks from pastor, after pastor’s message, after a prayer, for the conclusion of the service (especially if it was a favorite song of the deceased person).

Playing for a funeral service is the church pianist’s opportunity to minister to  both family and friends during a difficult time through God’s gift of music.

 

Free Congregational Piano Arrangement: Christ Arose

Friday, March 29th, 2013

cross

“Christ Arose” is a very well-known hymn that most churches only use around Easter.  We use this beautiful hymn periodically throughout the year as a reminder of Christ’s glorious resurrection.

Robert Lowry, a well-known hymn composer/preacher, wrote “Christ Arose”

Click on song title below to download your free congregational arrangement:

Christ Arose in B Flat

Christ Arose in A Flat (lower)

 

 

 

Using the Hymnal for Ladies’ Specials

Thursday, January 17th, 2013

Using the hymnal for specials can be done but does take some planning.  Why?  The songs in the hymnal were written for four different voice parts that rely on each other to create a complete harmonic sound.  Omitting any of the parts can result in unbalanced harmony, with the exception of the melody which can stand alone.  Most hymnals do contain some ready-made duets or trios but are usually mentioned in the topical index if available.

Say I was wanting to use “Day by Day” for a female vocal duet.  The alto would lack a close harmony part  because the tenor contains the closer harmony for the first two lines…then the bass takes on the closer harmony for a bit before returning it to the tenor for the last line of the song. (see hymnal excerpt below). Notice how the alto basically sings a B flat for the majority of the first line.  Not a problem…IF the other voice parts are singing; creating a more shapely harmonic structure.

Day-by-Day-line-one-cropped

Now, for the fun part!  In order to create a more pleasing harmony the following alterations would work nicely:  I simply kept the parts in 3rds as much as possible for a closer harmony.  You’ll notice the soprano (top note) began with harmony and flowed back to melody near the middle and then back to harmony toward the end.  This type of part swapping created an easier note transition for sopranos and altos.

*See clickable link at bottom of this article

Day-by-Day-ladies-duet-special

Click here to download “Day by Day”