Archive for the ‘Vocal’ Category

The Soloist With a Limited Voice Range

Wednesday, May 22nd, 2013

Do you find it challenging to find vocal specials for soloists with a limited voice range?  I sure do!   When I say “limited voice range” I mean a five to six note-spread.

Here are a few hymns that contain a five to six note spread…working great for the limited vocalist:

At the Cross

Wonderful Peace

Abide With Me

His Grace is Sufficient for Me by Mosie Lister

Oh How I Love Jesus

Take Time to Be Holy (Key of E flat may work better)

Take the World But Give Me Jesus by John R. Sweney (E flat may work better)

So Send I You (without special ending to avoid the high note)

*This is just a few of the old hymns that would be suitable for soloists with a limited voice range.

Choir Arrangement: SAB “God Can”

Tuesday, April 9th, 2013

I’m excited about this new SAB choir arrangement that I hope to publish by the summer of 2013! The song “God Can” is written by Lynndale Hardeman. You’ll love the revival type message of this song!

I will have to say this is our most favorite choir arrangement.

Come Thou Fount (free ladies’ arrangement)

Monday, April 8th, 2013

Just thought I’d share a video of our small ladies’ ensemble singing “Come Thou Fount”.

You can download this arrangement for free.  Just click on the tab “Free PDF Hymns” at the top of this page to download your free copy of “Come Thou Fount”.

 

 

Playing for Funerals

Saturday, April 6th, 2013

Flowers520

Playing for funerals is not the easiest task for a church pianist; especially if the deceased person was a close friend.  Over the past year, I’ve had to play at several funerals of people I knew very well.

God has given me the grace to make it through these funeral services. I like to play songs that comfort the family as well as myself.  I avoid too slow of a tempo on purpose…making it less of a sad tone and more bearable for the family.  Hymns with a medium tempo/mood such as Tis So Sweet to Trust in Jesus, He Hideth My Soul and Like a River Glorious are a few of what I call comforting tunes to play at such a time. Check out my piano funeral collection consisting of about 18 minutes playing time.

Several readers have emailed me lately asking for funeral tips.

Automatically I think of the prelude (music played before the funeral).  The length of the prelude can vary according to many factors.  For example, the last funeral I played for took place at a funeral home.  The family of the deceased person had many relatives that attended the viewing across the hall from the chapel.  The funeral home provided music over their intercom system during the viewing time.  We worked it out for me to start playing the prelude once the people started entering the chapel which was about twenty minutes prior to the service.

Playing for a funeral at a church can vary depending on if the viewing is held at the church or not.  At our church,  the sound man provides soft taped music in the background during the viewing and sometimes a little longer prior to the service;  to avoid having me play for an extended period of time.  The background music is just a collection of suitable recorded instrumental music from our church services.  I usually begin playing about 15 to 20 minutes before the service.

Unless you all do things differently,  the immediate family members start filing into the area of the funeral service right before time to start the service.  This is one of the most emotional times of the funeral.  I make sure I continue providing music during this difficult time to avoid an awkward time of silence. I finish playing when I see the last member of the family being seated or when the pastor looks at me and steps up to the pulpit to let me know he’s ready…whichever comes first.

Once again, at the end of the service, I begin playing when the family begins to exit and continue until the majority of the crowd disperses.

Some pianists have asked me where to expect the soloist(s) to sing.  Depending on the order of service, the special music can be placed just about anywhere. Here are  the different places I’ve seen vocal specials during a service:  at the beginning after family members are seated, after an initial welcome and remarks from pastor, after pastor’s message, after a prayer, for the conclusion of the service (especially if it was a favorite song of the deceased person).

Playing for a funeral service is the church pianist’s opportunity to minister to  both family and friends during a difficult time through God’s gift of music.

 

Free Congregational Piano Arrangement: Christ Arose

Friday, March 29th, 2013

cross

“Christ Arose” is a very well-known hymn that most churches only use around Easter.  We use this beautiful hymn periodically throughout the year as a reminder of Christ’s glorious resurrection.

Robert Lowry, a well-known hymn composer/preacher, wrote “Christ Arose”

Click on song title below to download your free congregational arrangement:

Christ Arose in B Flat

Christ Arose in A Flat (lower)

 

 

 

Using the Hymnal for Ladies’ Specials

Thursday, January 17th, 2013

Using the hymnal for specials can be done but does take some planning.  Why?  The songs in the hymnal were written for four different voice parts that rely on each other to create a complete harmonic sound.  Omitting any of the parts can result in unbalanced harmony, with the exception of the melody which can stand alone.  Most hymnals do contain some ready-made duets or trios but are usually mentioned in the topical index if available.

Say I was wanting to use “Day by Day” for a female vocal duet.  The alto would lack a close harmony part  because the tenor contains the closer harmony for the first two lines…then the bass takes on the closer harmony for a bit before returning it to the tenor for the last line of the song. (see hymnal excerpt below). Notice how the alto basically sings a B flat for the majority of the first line.  Not a problem…IF the other voice parts are singing; creating a more shapely harmonic structure.

Day-by-Day-line-one-cropped

Now, for the fun part!  In order to create a more pleasing harmony the following alterations would work nicely:  I simply kept the parts in 3rds as much as possible for a closer harmony.  You’ll notice the soprano (top note) began with harmony and flowed back to melody near the middle and then back to harmony toward the end.  This type of part swapping created an easier note transition for sopranos and altos.

*See clickable link at bottom of this article

Day-by-Day-ladies-duet-special

Click here to download “Day by Day”

 

 

 

 

 

 

 

 

Free Organ Arrangement: Amazing Grace (congregational)

Saturday, January 12th, 2013

Amazing-Grace-organ-congregational

This free organ arrangement of “Amazing Grace” for unison congregation or choir goes with the piano arrangement of “Amazing Grace” which I recently published for FREE.

Please understand…I am not an organist and it’s my very first attempt at writing an organ arrangement!

I’m glad one of my readers pointed out the need for organists needing the same arrangement in order to prevent chord clashes…an excellent observation! Our church doesn’t have an organ…just two pianos (one being a digital).

I thoroughly enjoyed creating this organ arrangement!

Click here to download FREE organ arrangement of “Amazing Grace”

Amazing Grace: Complete Audio


You need to have the Audio Player Plugin installed to use this shortcode

 

 

Free Arrangement for Church Pianists! Amazing Grace

Thursday, January 3rd, 2013

Amazing-Grace

Introducing…a free piano arrangement of Amazing Grace for unison choir or congregation.  It’s nice to be able to sing parts but most congregations of small churches seem to sing unison.

Church pianists can enliven hymns such as Amazing Grace by playing with mucho enthusiasm!  I understand not every church pianist knows how to improvise from the hymnal.  It took a lot of practice for me to feel comfortable adding unseen notes while playing from the hymnal.

Improvising tip:  Grab an improvising idea from someone else’s arrangement and try applying to a similar congregational hymn with same time signature.

Stick with that one idea for a while until it becomes natural to use…then on to the next improvising idea!

Hope you enjoy this arrangement.  Since most people are very familiar with this hymn, I took more liberty with the piano accompaniment.

Warning:  This arrangement does not support the four-part style in the hymnal.

Question from a reader:

I love these ideas but at my church both piano and organ play. I find it hard to take any liberties since I am not playing alone. Any suggestions for those of us who would love to add flare to hymns but still have to keep the organist in mind?

Answer: (at least for this arrangement)  I will soon provide a free organ arrangement of this particular version of Amazing Grace.

Free PDF for Piano: Amazing Grace

Free PDF for Organ: Amazing Grace

Audio:
You need to have the Audio Player Plugin installed to use this shortcode

Extra tip:  This arrangement could also be used as an offertory using the following suggestion:  Allow a flute or violin to play the vocal score since the piano accompaniment doesn’t contain enough melody.

 

 

 

How to Enrich Your Congregational Singing

Wednesday, December 26th, 2012

I love to sing “Amazing Grace”! It reminds me of when I accepted Christ as my Saviour at the age of 29.

A quick tip for church pianists on how to enrich congregational singing…

1. Start in a lower key. The congregation sings out better in lower keys…especially if you have a congregation like ours that mainly sings melody.

2.  Modulate up a half or whole step higher on the final verse.

In the following video…we started in E flat major and ended in F Major.

The church pianist CAN add zest to congregational singing! Learn to play a hymn in different keys for added enrichment.

I will attempt to write out Amazing Grace  in a user-friendly version for congregational piano accompaniment within the next two weeks and share for FREE! (transposed verse will be included)

Click here for this FREE arrangement of Amazing Grace 🙂

O Holy Night in B Flat Major

Saturday, December 22nd, 2012

The wide note range of O Holy Night makes for a challenging vocal solo!

B Flat Major seems to be a comfortable; reasonable key when singing “O Holy Night”.  Therefore, I will provide a FREE copy of O Holy Night in this key.

Keep in mind…I’ve already shared this arrangement on my free Christmas music page in the key of A flat major.  I simply transposed the same arrangement to B flat major.  The key of B flat major works great  for a male solo or duet.   Sopranos like this key too because the high notes are easier to reach.

See video below of a male vocal duet I recently played for…using the key of B flat major for O Holy Night.  Special note:  I used a different arrangement 🙂

**Click on link below video to get your FREE copy of O Holy Night in the key of B Flat Major.

 

 

Click here to download FREE copy of O Holy Night in the key of B Flat Major