Just letting my readers know I’m in the process of posting the individual hymns from the Congregational Booklet One for sale on the Congregational Piano Hymn page of our online music store. (navigation buttons at top of this page)  So far I’ve posted: All Hail the Power, Are You Washed and Blessed Assurance.

Several have requested the Blessed Assurance congregational arrangement after seeing the first sample page of it in an older article.  It’s now sold separately or in the Congregational Booklet One.

Special note: Multiple uses for the church pianist!  The piano accompaniment arrangements from the Congregational Booklet One can also be used to accompany the following:  vocal soloist, flute or violin.

Our ladies’ ensemble LOVES to sing “The Reason I Sing” written by Niki Lott of christiancompositions.com

This arrangement can be purchased at christiancompositions.com as sheet music or in a book collection entitled “The Reason I Sing” two to three part arrangements for ladies.

We chose to sing the verses in unison due to our short practice time and we sang only a portion of the arrangement due to our limited vocal range which we’re working on.

This song is SUCH a blessing to sing and look forward to singing more songs from the book entitled “The Reason I Sing”.  One of the ladies in our church has already sang several of the songs as a solo too.

*Special note: I didn’t strictly follow the written piano accompaniment but the written accompaniment is pretty 🙂

Done! Finally!  I was extra picky with this collection and hope it’s useful to many church pianists.

I tried to create exciting accompaniments to enhance the congregational singing. Each arrangement contains an introduction as well as a couple verses/choruses worth of accompaniment.  Three of the arrangements even have key changes!

But relax 🙂  The arrangements are written in a lower key than the hymnal (at least two to three half steps lower). We have discovered that the congregation sings out even more when they can  sing in a reasonable key 😉

Congregational Piano Hymn Arrangements (Booklet One)

AUDIO SAMPLER: (product description below) *Downloadable product only

Price: $16.00

10 Late intermediate to early advanced piano congregational arrangements. (All Hail the Power, Are you Washed, Blessed Assurance, Does Jesus Care, Dwelling in Beulah Land, I Love to Tell the Story, Praise Him! Praise Him!, Rock of Ages, Sweet By and By, Sweet Hour of Prayer) 34 pages

The arrangements in this booklet are in lower keys; making it easier for the average congregation to sing. *Three of the arrangements have key changes!

Each arrangement contains an introduction and at least two verses & choruses…several of the hymns contain three verses worth of accompaniment.

*Special note: The arrangements in this booklet do not support the four-part singing found in most hymnals. *Other suggested uses: vocal solos, violin specials, unison choir specials. **Another special note: These arrangements can not stand alone as piano solos since some of the melody is absent during the piano accompaniment. *Complete audios not included with collections.

I just wanted to let my readers be aware of the latest products published in our online music store.  The following arrangements are also available in the Funeral Hymn Collection that was published earlier this summer.

Does Jesus Care

Early advanced sacred piano solo, 2 & 1/2 pgs. *Also available in the Funeral Hymn Collection

Price: $2.50

Rock of Ages

Advanced sacred piano solo, 2 pgs.Approx. 1:28 Excellent for short offertory or funeral prelude. Very flowing piece. *Also available in the Funeral Collection.

Price: $2.50

Trusting Jesus Medley

An early advanced piano solo of two well-known hymns: "Simply Trusting with Tis So Sweet to Trust in Jesus". Use for offertory or funeral prelude. 5 pgs. *Also available in the Funeral Hymn Collection.

Price: $3.95

What are diminished and augmented chords?  Where can I use them? The first article on diminished and augmented chords will answer these questions.

The other post I’m creating deals with tips for choosing vocal solos for the male voice.  I enjoy the challenge of looking for solos that fit a certain person’s vocal range/ability.  Singing a song that fits the singer’s range allows for a more positive experience for the soloist as well as the listeners 😉

It’s our responsibility as Christians to be as effective as we can to carry God’s message through whatever means possible and that includes singing.

Looking forward to sharing more soon!

Just wanted to let my readers know my dad has had some health issues so I’m going to spend some time with my parents this week.

In addition I will be tweaking several of the invitation arrangements when I return.  I just don’t want to do a half way job.  My husband is always reminding me…”It’s quality…not quantity”.

I will take the time to at least share something with you before I leave.  Below is a video of a vocal solo sung recently at our church.  What I like best about this song is…it’s a mission-based song.  It’s hard to find a lot of music on this theme.  The song was written by a friend of ours here in our home town.  I hope to see it published one day!

Down From His Glory requires ALOT of ad lib from the church pianist when accompanying someone to sing this hymn.

I could not help but add runs during the chorus due to the frequent held words. The fingering for the runs is included 🙂

I plan to create an audio of the piano accompaniment as time allows.

Click here to download “Down From His Glory” in E Flat Major

Click here to download “Down From His Glory” in F

“Down From His Glory”…a challenging piece for many church pianists!

Many of you requested that I share improvising tips for this very piece as recently discussed in a video from last year’s Wild’s Music Conference.

In this particular video, Faye Lopez shared several tips for dressing up the accompaniment such as adding right hand echoes during held words for the first half of the verse and then broken chords for the second half of verse.

As stated in a recent article…the following free download of “Down From His Glory” is similar to Faye’s accompaniment but not an exact replica 🙂

Tip: Watching the related video to this article would be beneficial while looking over the free download below. Click here to see: VIDEO

 Complete arrangement of Down From His Glory

Freestyle is my favorite way to accompany vocalists.  To me, freestyle is playing by ear what I feel at the time without written music.  It takes years of practice… of course… to get to this point of playing 😉   Dad was the first person I ever accompanied in my early years of being church pianist.  He taught me accompaniment tips along the way such as “Follow the soloist”…a MUST for the church pianist.

I do play for soloists that prefer to follow me but I’m trying to help them feel more comfortable being the leader. After all…the church pianist is just the background support for the soloist.

Below, is a recent recording of me playing for my dad. Our parents were visiting with us this past week and Dad sang this solo in our church.

I love to accompany my dad!

There are certain songs that are a challenge for the church pianist to accompany. “Down From His Glory” is one of those songs!

In the video below, Duane Ream and Faye Lopez share some of their insight on accompanying the vocal soloist for “Down From His Glory”.

The following video excerpt came from last year’s  Hymn Playing Master Class workshop at the annual Wild’s Music Conference. Please excuse the shaky quality of the video.  I didn’t have a tripod available.

I want to thank the pianist for granting me permission to share this video excerpt.  He did a great job with his impromptu accompaniment; providing others with an opportunity to learn more about accompanying a vocal solo.

This video was taken during the “critique” session of the class when someone would volunteer to play either a piano solo, prelude style piece or accompaniment style.

Duane Ream, one of the workshop leaders, also volunteered to sing…making it easier for the volunteer pianist to share his accompaniment style.  *Please note that Duane sang an octave lower on purpose for the chorus… since it was out of his vocal range 🙂  At least he was willing to help the pianist 🙂

I’ve thought about providing a couple visual examples of the accompaniment patterns Faye was trying to convey to the pianist. Keep in mind…they wouldn’t be note for note what she played but I could produce something very similar. Who would be interested?