Done! Finally!  I was extra picky with this collection and hope it’s useful to many church pianists.

I tried to create exciting accompaniments to enhance the congregational singing. Each arrangement contains an introduction as well as a couple verses/choruses worth of accompaniment.  Three of the arrangements even have key changes!

But relax 🙂  The arrangements are written in a lower key than the hymnal (at least two to three half steps lower). We have discovered that the congregation sings out even more when they can  sing in a reasonable key 😉

 

10 Late intermediate to early advanced piano congregational arrangements. (All Hail the Power, Are you Washed, Blessed Assurance, Does Jesus Care, Dwelling in Beulah Land, I Love to Tell the Story, Praise Him! Praise Him!, Rock of Ages, Sweet By and By, Sweet Hour of Prayer) 34 pages

The arrangements in this booklet are in lower keys; making it easier for the average congregation to sing. *Three of the arrangements have key changes!

Each arrangement contains an introduction and at least two verses & choruses…several of the hymns contain three verses worth of accompaniment.

*Special note: The arrangements in this booklet do not support the four-part singing found in most hymnals. *Other suggested uses: vocal solos, violin specials, unison choir specials. **Another special note: These arrangements can not stand alone as piano solos since some of the melody is absent during the piano accompaniment. *Complete audios not included with collections.

Just to let my readers know…

I just finished the first congregational pdf booklet this morning!  The collection contains ten piano congregational arrangements. Each arrangement has an introduction and at least two verses/choruses of accompaniment…some hymns contain three verses worth of accompaniment.

The arrangements do contain chord substitutions for extra zest so the piano accompaniment will not be suitable for four-part hymnal style singing.  (Just trying to target the small churches that generally sing unison).

Suggested uses of this collection other than congregational singing:  vocal solo specials, unison choir specials, violin solo specials. (lyrics in the score are included with each arrangement)

The playing level of the collection is late intermediate to early advanced. Can’t wait to get it online!

 

Downloadable Link Below

I was going to share a free sampling of left hand improvising ideas for Revive Us Again but I wound up writing a full verse and chorus of this challenging hymn.  It’s not a hard hymn to play but difficult to dress up for congregational singing.

The first line of the hymn is basically the same chord!  Most church pianists realize that they have to adhere to the chord structure in the hymnal when playing for congregational singing IF their congregation sings parts…to prevent chord clashes.  I can’t help but add chord substitutions on this hymn!  Our congregation doesn’t sing parts so I can have fun!  🙂

I’m sharing several improvising ideas for Revive Us Again (congregational style).  I tried to liven up the 1st line of music by creating broken chord tones and alternating bass notes within the same chord. A broken chord tone pattern already exists in the hymnal version but offered a little different one and added a little more variety than the hymnal version.

Revive-Us-Again-congregational-or-prelude

Just wanted to explain the lack of activity on my site…

I’m working on the final editing for my first set of ten congregationals (late intermediate to early advanced level).

I’m editing the fifth one this evening.  Keep in mind…I already have the first ten entered in Finale but re-hashing them to be as user friendly as possible!

Looking forward to publishing this first set!  I won’t give a deadline date but pushing myself to finish this project as soon as possible.

I will list the first five that I’ve edited:

All Hail the Power (with modulation!)

Blessed Assurance

I Love to Tell the Story

Praise Him! Praise Him!

Sweet By and By

 

I’m trying to decide whether or not to  periodically stray from the melody in the congregational accompaniments I’m working on for publication.   I can’t help myself!  It’s more fun to stray from the melody as in the following free congregational accompaniment (excerpt) of Saved, Saved!

This is more of how I would play for congregational singing for Saved, Saved.  (The written music below is the same as the recording)  🙂

You need to have the Audio Player Plugin installed to use this shortcode

 

Click here to download your free copy of “Saved, Saved!” congregational accompaniment verse excerpt!

 

Even though I’m not a small handed pianist…I sometimes experience the feeling of having small hands due to challenging passages in music.  While in high school I would always roll a 10th in the left hand.  However…after playing a 10th with a gentle “rolled” movement over time….I found that I had stretched my left hand span and soon began playing solid 10ths!

While researching pianists with small hands, I came across the following inspiring article and video!

Click here to read how this small handed pianist overcame his limitation before hearing him in the video below:

In my opinion, “Saved, Saved!” is one of the most awkward hymns to play for the church pianist.

It pays to have large hands for this song! Lots of octave spreads!  But…there IS an art to playing repetitive octaves in a relaxed touch…making it easier on the hand.  (I learned this art by playing classical music with lots of octave action!)

Classical music helps to develop SO many technical moves which can aid the church pianist in hymn playing. (another post!)

To be honest…I  leave out a lot of melody on this particular hymn when accompanying the congregation…freeing up the hand  to provide more of a  supportive accompaniment and to prevent awkward hand movements.

I didn’t stray too far from the melody in this version to prevent church pianists from getting disoriented. (Hee hee) Want a challenge? I’ll have to share the FUN version another time.

I will share a couple of tips via video soon for the following free pdf of “Saved, Saved!” (congregational accompaniment: verse excerpt)

Click here to download “Saved, Saved!” congregational accompaniment excerpt

Who wants the FUN version sampler?  (VERY advanced)

 

I know…not all church pianists have big hands like Rachmaninoff!  With that in mind…I created alternative fill-ins for the runs in The Love of God advanced piano solo that I just published a couple days ago.

I hope these alternative fill-ins will be more user-friendly for those with small hands.  The whole piece is really written for a pianist with large hands but maybe those of you with smaller hands can adapt this arrangement with these alternative fill-ins.

Click here to download alternative fill-ins

 

 

*Click here to read introduction of diminished and augmented chords to understand the following free handout on augmented examples in hymns.

 

Explanation of the following visual:

When progressing from a I to IV chord…raise the 5th note of the I chord (G) to (G#) making it an augmented I chord which strongly leads into a IV chord.

 

Click here to download a free pdf of the Augmented  Chord Substitution Sheet

 

Just wanted to share a couple of spontaneous prelude transitions that I created today for one of my hymn playing students during their lesson.

She’s wanting more help in the area of prelude transitions…and needed to see examples for transition ideas.

Hope they’re a help to other church pianists too!

Prelude Transition tips:

When creating a prelude transition consider the following:

1.  The time signature you’re coming from and going to

2.  The key signature you’re coming from and going to

3.  Mood of approaching song

4.  Add a ritard toward end of first song before the transition to allow breathing space for the player and listeners.