To me…a wordy hymn is just that…a hymn with a lot of words which also contains a  busy rhythm such as  eighth notes.

Watch the video below to learn a tip on how to make wordy hymns sound smooth instead of choppy.

Click on title to download FREE pdf for the verse of “My Savior First of All”

How to play with a conversational style on wordy hymns…a topic that’s been on my mind lately.

A good example of a wordy hymn is “My Savior First of All”.  I’ll share tips on how church pianists can play this particular hymn with a natural/conversational tone…making for a more meaningful delivery even when playing for congregational singing.

Coming soon….next week 🙂  Hmm…next week has come and gone due to unavoidable circumstances 🙁  I will do this asap!

Nothing but the Blood of Jesus uses only two chords through the entire song! (The I and V)

This hymn is crying out for “dress-ups” from the church pianist.

Here’s several ideas I use to dress up the verse of “Nothing but the Blood”.

Notice the melody of the verse contains a lot of repeated notes.  A great time to add some spice! 🙂 You can even hold a right chord through repeated notes here and there.  You’ll notice I kept the left hand moving during the right hand chords to maintain forward motion/rhythmic drive.  The following example can be used for an entire verse if repeated.

Click here for your free download of “Nothing but the Blood of Jesus” improvising ideas.

Many of you have purchased my advanced or real advanced arrangement of “Abide With Me”

Someone recently requested I share fingering suggestions for measure #30. Another tip about this measure…I take it slow enough to handle the excessive movement in the left hand.

*See video below to hear measures #22 through #30  (time marker 1:01-1:26) It will give you a better idea of how this transitional section flows into the new key.

While playing Leaning on the Everlasting Arms for congregational this morning…the thought occurred to me to share one of my fill-in ideas I usually use for the last chorus. This particular hymn needs lots of dress-up to bring it to life!

Some of you pianists may not like “going off the grid” so the first line is for you. The second line is for those who like to venture out in space 😉

Hope all of you are having a wonderful Sunday worshiping the Lord with your church family.

The following example is taken from the first line of the chorus.

Enjoyed teaching you all last night! Sorry it lasted longer than expected.

I also appreciate the feedback to help improve my sessions. Thanks as well for your words of encouragement!

The following Answer Keys are in reference to our live facebook session from October 12, 2017

Click HERE to watch the archived video of this session on facebook.

Text Answer Key

Showers of Blessing Answer Key

I Will Sing of My Redeemer Answer Key

O How I Love Jesus Answer Key

Click Here to Watch Live Session Tomorrow at 8pm EST

Tune in at the link above tomorrow evening at 8pm EST… to be a part of a live facebook session for church pianists all over the world! (even as far as the Cayman Islands) 🙂

Click below to print free downloads for tomorrow’s session:

Showers-of-Blessing-example-6 8-student-version

I-Will-Sing-of-My-Redeemer-student-version

O How I Love Jesus

Modulating-Up-a-5th-Chord-Structure

Modulating-Up-a-5th

6-8-Timing-Sheet-Fill-in-Blanks

Special Note!

There may be one more sheet to download by tomorrow morning. Bring notebook paper to jot down the numerous tips you will hear sprinkled throughout this session! You’ll also want a pencil to use on the download sheets.

I never really noticed the time signature change in “Just When I Need Him Most” until today.

We sang this at our church last night for a congregational and the people REALLY enjoyed singing it.  The words are so comforting!

It’s just one of those seasons at our church where there’s a lot of physical needs and such a song reminds us of Jesus’ ever-present help 🙂

We sang this song in a prayerful mood with  a slow walking speed so I had time to add left hand flowing patterns similar to the following free pdf of “Just When I Need Him Most”.

Most importantly, notice the key change at the chorus….but the flow will still be pretty much the same 🙂  I actually changed to 6/8 timing one measure earlier than the hymnal shows… because it felt more natural to not hold as long before entering the chorus.

Maybe this will help a beginning church pianist to see what fill-ins could be used for a slow to medium hymn in 6/8 or 9/8 timing… such as my arrangement of “I Must Tell Jesus”.

Warning: This arrangement is NOT intended for piano solo use… due to missing melody notes at the beginning of the chorus…unless of course you know how to add them in 😉

Click on song title for free download: Just When I Need Him Most

Just published the Easy to Play Congregational Collection One today!  I will be out of town this upcoming week but will supply video or audio samples for this collection when I return.

Easy-to-Play Congregational Collection-One

Early intermediate to intermediate piano congregational arrangements, 16 pgs. Jenifer wrote these arrangements in an easy-to-learn fashion for the beginning church pianist. You'll find these arrangements to be fairly structured making for minimal practice. Song list: Amazing Grace, Day by Day, Grace Greater Than Our Sin, I Need Thee Every Hour, It is Well, Nothing but the Blood, Only a Sinner, O Worship the King, Satisfied, Trust and Obey. *Amazing Grace contains optional key change into Grace Greater Than Our Sin

Price: $14.00

Here’s a visual sampling of the Collection

Introduction 

Modulating during any type of prelude (church, funeral, wedding or other occasion)…creates a smooth transition between songs. Without a smooth transition between different keys, the music will sound interrupted or very abrupt.  The articles associated with this lesson and future lessons will deal with modulating to a higher key.  Modulating to a lower key can also be effective but such a topic belongs in a different set of lessons.

The modulation chord formula that works for most any key change uses the  ii7 to V7 chords of the new key.

(I personally like to use the V7 sus instead of a plain V7…but will will illustrate  at the appropriate time).

*Part two will provide a FREE pdf with several examples of modulating up a fifth. (C Major to G Major)

Keyboard visuals of the ii7 & V7 chords in the key of G Major are shown below. (The upcoming examples will cover C to G, G to D and F to C using this chord formula)

ii7 of G Major

V7 of G Major

Working on the examples now and hope to share this week!