Since believing on Jesus Christ at the age of 29…I can truly say: “Blessed Assurance Jesus is Mine”.  This became one of my favorite hymns after becoming a Christian.

Shortly after being saved I arranged an offertory that included: “Blessed Assurance, Saved by the Blood and Since Jesus Came Into My Heart”.  I will have to write it out in my (ha ha) spare time.

This free sacred piano arrangement of “Blessed Assurance”  is a result of preparing several of our own soon-to-be church pianists to play for congregational singing.  We now have a rotational schedule for our intermediate to advanced pianists to allow them to play for our congregational singing.  It’s exciting to see them gain experience to better equip them for serving the Lord.

Click here for the free sacred piano arrangment of “Blessed Assurance” page one.

I’ll share the rest of this free arrangement in the next article.

Just discovered a practical instructional book on  improvising hymns found on Alfred Publishing’s site.

This book is a great starter for the intermediate pianist who wants to improvise from the church hymnal.  The pianist will learn how to do the following:

*Add tenor to the right hand

*Double the bass note

*A couple of easy-to-learn  left hand fill-in ideas

*PLUS…a collection of hymns already arranged for the intermediate church pianist using the improvising ideas that are taught in the book.

Click on the following book title to view the book and sample pages!

“How to Play Hymns & Gospel Songs in an Evangelistic Style”

Click here to download worksheet before watching video for “Improvising Hymns” Lesson Two 

Have a pencil handy!

The following short video tutorial on improvising hymns is geared to the beginning church pianist.  Playing straight from the church hymnal can sound rather plain. Learning how to dress up the hymns adds a new dimension of sound! This lesson gives some simple left hand fill in ideas for the first line of “When I Survey the Wondrous Cross”.

Special clarification about the theory rule mentioned in this lesson concerning omitting the 3rd of the chord…The 3rd can be omitted from either hand.   Wait until you see the video below to understand this explanation 🙂

The next video tutorial will reveal more improvising ideas for “When I Survey the Wondrous Cross”.

Click here to see My First Improvising Lesson

The hymn “Count Your Blessings” carries a great message in song but contains frequent repetitive notes providing a rather plain accompaniment for the average church pianist

Free Improvising Ideas for Count Your Blessings (congregational style)

Key of D Major

1. Use alternate bass movement (see measure #2) LH beat one…I played an ‘A’ rather than ‘D’

2. Measure #1 and #5, beat one ( no need to play every word) when playing congregational style; allows more ease of movement for the pianist.

3. The four note RH chords provide support to the singers.

4. Measure #6, notice the contrary octave movement between the hands for variety.

    *Contrary movement between both hands always adds a nice touch of spice 🙂

Click here to download Free Improvising Ideas for Count Your Blessings (congregational style)

Click here for audio of “All Hail the Power”

As I’ve mentioned before…the church pianist can deviate from the melody as long as the congregation knows the song real well.  You’ll notice the “missing melody” here and there in the free congregational piano arrangement of “All Hail the Power”.  The audio contains the piano accompaniment and the melody line.

We like to change keys to add extra life to the congregational singing 🙂  The key change in this arrangement does add an extra measure so it would require a quick practice with pianist and song leader before trying it with the congregation.

Most of the key changes we use in congregational singing move right into the last verse without hesitation.

Church Pianist Tip:

*This free congregational piano arrangement may also be used to accompany a trumpet solo.

 Click here to download “All Hail the Power” congregational accompaniment

Due to a hectic but wonderful weekend…I’m sharing a free piano arrangement of “At the Cross”. I wrote this particular arrangement for one of my students who is preparing to be a church pianist. Our congregation usually sings unison…so the piano accompaniment contains chords that would not support the four-part style from most church hymnals.

You’ll notice it’s also in a different key…C Major.  She only had two weeks to learn the song before playing it in church. (She  filled in for me while I was out of town)

Hopefully some of you church pianists can make use of this arrangement.  You could also use it as accompaniment for a vocal solo or ensemble singing unison.

Click here to download your free piano arrangement of “At the Cross”

World Tour Double X-Braced Keyboard Stand

Just thought I’d share this bit of information to church pianists looking for an affordable, sturdy keyboard stand.  My original keyboard stand was getting so rickety that I decided to upgrade to a more durable keyboard stand.

After several days of researching keyboard stands online…I found an excellent deal!  I bought it online from Walmart.  This particular stand was only available online.  Having it shipped to Walmart (site to store) voided any shipping costs.  The grand total was $32.27…well worth it too!  Now my keyboard doesn’t wobble to and fro while I play.  🙂

Click here to see the keyboard stand I purchased.

*Make sure you read the consumer reviews on the above product link.

Trying to figure out what to play for piano introductions can be tricky at times for church pianists.

The previous article entitled: Piano Introductions (part two) provided a piano introduction of “Wonderful Words of Life” using only the verse.  Sometimes it works better just to use the starting and ending phrase of a verse. Other times, the entire first line of the verse works well for the introduction.

Always remember to end the introduction with the one (I) chord for the key you’re using. For example, if the song is in C major…make sure you end on a C major chord to provide a “finished” sound.  Otherwise, you’ll have everybody guessing when to enter.

There are times when a V 7 chord works well at the end of an introduction or during the invitation when you’re providing background music and you’re in the middle of a phrase and need to end on a chord that makes sense before the congregation starts to sing…but I will cover that at another time.  SO much to talk about!  🙂

In today’s example, you’ll notice a fairly, easy piano introduction for “Count Your Blessings”. The faster the hymn, the less frills the church pianist has time to play 🙂

Click here for: Piano Introductions: Part Two (second example)

Click here to download and print part one of “God of Our Fathers”

“God of Our Fathers” is a wonderful hymn to sing anytime of year, but especially around July 4th. This stately hymn reminds Christians of God as their leader. 

In part one of today’s free arrangement of “God of Our Fathers” I tried to portray the majestic mood of the text by solid octave movement in the left hand and full chords in the right hand. 

The introduction (trumpet fanfare) was doubled (both hands) for a fuller sound.  The octave higher treatment gave it a brighter tone.

In measure five, I added a light touch of syncopation to the left hand  for text enrichment.  The words for this measure speak of God’s  “…almighty hand”.

Congregational singing plays such an important role in the worship service.   As a church pianist, I try to play with enthusiasm, since I represent the Lord in all I do.  I want others to know that I truly believe the words of the great hymns of faith as I play them for God’s glory.

To be honest, I don’t always feel energetic on a Sunday morning when I’ve had maybe a couple hours of sleep… but God is good. He gives me just enough energy to make it through. I’ve found I do better during those times.  I think it’s because I’m relying more on His help…as I should ALWAYS do 🙂

Part two of “God of Our Father’s” will take us up an octave as we prepare for the climax of this great hymn.  Looking forward to sharing the rest!

Click here to read the story behind “God of Our Fathers”

The “Battle Hymn of the Republic” is a hymn the church pianist must “dress-up” to enrich the congregational singing. It’s not always easy to grab every note “word” of a hymn when it contains a busy rhythm such as the frequent dotted rhythm in the “Battle Hymn”. Moving from word to word can be quite awkward for the church pianist.

Remember…the hymnal is written for voice parts not the instrument. The church pianist must learn to adapt…creating a simple but full-sounding accompaniment that will support the singers…making them sing out with even more energy and confidence.

Editor notes for Part Two of “Battle Hymn of the Republic”

*Please click here to print part two so you can view the music while you read the following notes:

1. I only added a few of the sixteenth notes from the vocal score into the piano accompaniment…creating a more user friendly hand movement, which in turn helps the pianist maintain a steady beat for the congregation.

2. When I play the chorus…I deviate so much more from the melody–using sprinkles of 3-note triplet chords in the right hand during half notes. But…I kept enough melody in the chorus of this free arrangement for church pianists that may not be use to deviating alot from the melody.

Click here for Part One of Battle Hymn of the Republic