How many other church pianists besides myself, find it a challenge to dress-up the hymn, “Wonderful Words of Life”?  A piano friend of mine recently asked me to show her  improvising ideas for this hymn.

To be honest,  it took some thought to come up with some REALLY fresh ideas.  I hope to post a free pdf tomorrow of an improvised verse for “Wonderful Words of Life”.  It’s been fun coming up with some different moves to liven up this simple but well-written hymn.

I guess you can tell I’ve been very busy lately…hence…fewer posts.

I’m preparing to be GRANDMA for the second time and busy with music writing projects for my site.

So, I’m sharing a free SAB choir arrangement of Yes I Know that  I recently finished.

Feel free to share this with your choir director and make as many copies as you like!

Click here to download: Yes I Know (Free SAB choir arrangement)

Click on complete audio below:

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Nothing but the Blood of Jesus…a hymn with a great message and simple chording.  I decided to spice up this hymn by adding different chords and came up with the elementary level piano arrangement below.

My student, Noah, really enjoyed playing this arrangement of Nothing but the Blood of Jesus for offertory.  Of course I had fun making up a second piano part to accompany him.  I hope to publish the teacher’s part for “free” when I get a chance to write it out.

An arpeggio is a broken chord.  I like to use fast arpeggios in my hymn arrangements.  So…how do I determine where to place a fast broken arpeggio?  Anywhere a word can be stretched (broadened) or held if you were singing the hymn.

One of my free piano hymn arrangements entitled “What a Friend We Have in Jesus” contains a fast arpeggio on the second page. (Shown below)

This fast arpeggio consists of 12 notes.  If you look closely, you’ll notice that I played 3 groups of one-octave arpeggios within the 12 note passage.  Each group has four notes beginning and ending with note “G”.

I’m basically using a g minor one-octave arpeggio made up of the notes: G-Bflat-D-G

How to finger this? Use right hand thumb (of course) to start each group.  For each group use the following fingering:  1 2 3 5

To properly blend this run into the arrangement…emphasize the right thumb at the beginning of the first group only; allowing the hand to relax and glide across the fast arpeggios in an even rhythmic flow.  How to do this?  Practice s-l-o-w  🙂

Careful not to play SO fast that it sounds “thrown in” …causing an interruption in the flow of thought.

Slow Motion Demo

 Now…for the complete arrangement at regular tempo…

Finally finished the “I Am Resolved” piano quartet!  Pianos 1 & 2 are more of an early intermediate level and pianos 3 & 4 are late intermediate to early advanced.

The various levels of this piano quartet brings several levels of church pianists together making for an exciting rendition of “I Am Resolved”.

We are planning to play this at our church toward the end of September.

I’m offering a great discount  for “I Am Resolved” piano quartet  now until August 22, 2012.

I Am Resolved

Early intermediate to early advanced, four pianos, 4 & 1/2 - 5 pgs. *Price covers two copies each of pianos 1 & 2 and pianos 3 & 4 Time length: Approx. 1 min. 35 sec.

Price: $5.00

One of my church pianist readers recently asked me for some help on measures 29  and 30 of the free piano arrangement for “The Old Rugged Cross”.

In measure #29…The right hand has to reposition on the second beat in order to compensate for the upcoming busy movement.  I created a quickie video demonstrating a suggested fingering to make this area feel more comfortable to the hand.

Feel free to ask for any guidance or tips on this piece or any other arrangements I’ve written.

Amazing what you can find when you get organized!  I came across a piano quartet (four pianos)  of “I Am Resolved” that I wrote back in 2008.

We have gained another pianist at our church…praise the Lord!  For me…the more the merrier 🙂

So…four of us will be playing this quartet in church very soon.

This arrangement is at an early intermediate level…but sounds like an advanced piece with all four parts.  No part can stand alone.   Pianos one through four take turns playing short sections of the  melody.

Click arrow below to hear an excerpt of this upcoming exciting piano quartet…(hope to publish it by the end of next week).

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*Special note:  This arrangement will be on sale for a limited time…so be watching for it to appear by next weekend or…before.

Several months ago, I offered a free piano solo arrangement of “The Old Rugged Cross”; written in loving memory of one of my students who has gone home  to heaven.

This free piano solo arrangement of The Old Rugged Cross can be downloaded at the following link:   More Free Hymn Arrangements!

Here is a video of me playing the arrangement:

Church pianists find it an extra challenge when accompanying vocalists singing wordy hymns.  Hymns such as: In the Garden,  Wonderful Peace, Fill My Cup Lord,God Leads Us Along and No One Ever Cared for Me Like Jesus.

These wordy hymns are most effective when sung or played  in a more conversational tone to avoid a mechanical reading style often heard in young ones when they are first learning to read. How to achieve a more conversational sound?

In 4/4 time…beats one and three are naturally stressed.  Emphasizing these particular beats results in a more shapely tone…making the message flow in a more conversational tone.

Listen to the two accompaniment style excerpts in the video below to determine which style sounds more conversational.

“No One Ever Cared for Me Like Jesus”

*Editor notes:

Accompaniment pattern #1: I basically played every word of the song.

Accompaniment style #2: I used quarter note chords here and there to break up the  repeated eighth note patterns..allowing the singer more ebb and flow of rhythm.

Click here to download FREE PDF excerpt of “No One Ever Cared for Me Like Jesus” for accompaniment style #2.

Special note:  I sang the excerpt(s) in A Major on the video (due to my vocal range but the free pdf is a half step higher in B flat Major.

I would have loved to share the entire song…but this particular hymn is copyrighted.  The “fair use” law allows me to share a small portion of a copyrighted song for educational purposes only.

A descant to melody is like a cherry on top of an ice cream sundae.  Simply…an extra added touch to compliment the main course.

Hymn tune descants are counter-melodies, generally at a higher pitch than the main melody.

~     ~     ~    From Wikipedia, the free encyclopedia

(I think of a descant as a melody within a melody).

The descant is most effective when used only on the final verse of a hymn…creating an exciting climax!  Usually a soprano or several sopranos sing the descant.  If you don’t have the voices to support the descant, a solo instrument such as a flute or trumpet can play the descant part. Sometimes the piano can carry the descant part as well.

What’s really neat is when the whole choir sings a descant part on the final verse of a congregational hymn.

The  video below contains a violin solo accompanied by the piano.  Listen for the piano playing a descant part on the first and second chorus.

Free printable descant links below: 

(the following links may contain music not in accordance with this site but still includes appropriate music for worship)

Magnolia Arts Sheet Music

Jeff Whitmill Descants