Nothing but the Blood of Jesus…a hymn with a great message and simple chording.  I decided to spice up this hymn by adding different chords and came up with the elementary level piano arrangement below.

My student, Noah, really enjoyed playing this arrangement of Nothing but the Blood of Jesus for offertory.  Of course I had fun making up a second piano part to accompany him.  I hope to publish the teacher’s part for “free” when I get a chance to write it out.

An arpeggio is a broken chord.  I like to use fast arpeggios in my hymn arrangements.  So…how do I determine where to place a fast broken arpeggio?  Anywhere a word can be stretched (broadened) or held if you were singing the hymn.

One of my free piano hymn arrangements entitled “What a Friend We Have in Jesus” contains a fast arpeggio on the second page. (Shown below)

This fast arpeggio consists of 12 notes.  If you look closely, you’ll notice that I played 3 groups of one-octave arpeggios within the 12 note passage.  Each group has four notes beginning and ending with note “G”.

I’m basically using a g minor one-octave arpeggio made up of the notes: G-Bflat-D-G

How to finger this? Use right hand thumb (of course) to start each group.  For each group use the following fingering:  1 2 3 5

To properly blend this run into the arrangement…emphasize the right thumb at the beginning of the first group only; allowing the hand to relax and glide across the fast arpeggios in an even rhythmic flow.  How to do this?  Practice s-l-o-w  🙂

Careful not to play SO fast that it sounds “thrown in” …causing an interruption in the flow of thought.

Slow Motion Demo

 Now…for the complete arrangement at regular tempo…

Finally finished the “I Am Resolved” piano quartet!  Pianos 1 & 2 are more of an early intermediate level and pianos 3 & 4 are late intermediate to early advanced.

The various levels of this piano quartet brings several levels of church pianists together making for an exciting rendition of “I Am Resolved”.

We are planning to play this at our church toward the end of September.

I’m offering a great discount  for “I Am Resolved” piano quartet  now until August 22, 2012.

I Am Resolved

Early intermediate to early advanced, four pianos, 4 & 1/2 - 5 pgs. *Price covers two copies each of pianos 1 & 2 and pianos 3 & 4 Time length: Approx. 1 min. 35 sec.

Price: $5.00

One of my church pianist readers recently asked me for some help on measures 29  and 30 of the free piano arrangement for “The Old Rugged Cross”.

In measure #29…The right hand has to reposition on the second beat in order to compensate for the upcoming busy movement.  I created a quickie video demonstrating a suggested fingering to make this area feel more comfortable to the hand.

Feel free to ask for any guidance or tips on this piece or any other arrangements I’ve written.

Amazing what you can find when you get organized!  I came across a piano quartet (four pianos)  of “I Am Resolved” that I wrote back in 2008.

We have gained another pianist at our church…praise the Lord!  For me…the more the merrier 🙂

So…four of us will be playing this quartet in church very soon.

This arrangement is at an early intermediate level…but sounds like an advanced piece with all four parts.  No part can stand alone.   Pianos one through four take turns playing short sections of the  melody.

Click arrow below to hear an excerpt of this upcoming exciting piano quartet…(hope to publish it by the end of next week).

You need to have the Audio Player Plugin installed to use this shortcode

*Special note:  This arrangement will be on sale for a limited time…so be watching for it to appear by next weekend or…before.

Several months ago, I offered a free piano solo arrangement of “The Old Rugged Cross”; written in loving memory of one of my students who has gone home  to heaven.

This free piano solo arrangement of The Old Rugged Cross can be downloaded at the following link:   More Free Hymn Arrangements!

Here is a video of me playing the arrangement:

Church pianists find it an extra challenge when accompanying vocalists singing wordy hymns.  Hymns such as: In the Garden,  Wonderful Peace, Fill My Cup Lord,God Leads Us Along and No One Ever Cared for Me Like Jesus.

These wordy hymns are most effective when sung or played  in a more conversational tone to avoid a mechanical reading style often heard in young ones when they are first learning to read. How to achieve a more conversational sound?

In 4/4 time…beats one and three are naturally stressed.  Emphasizing these particular beats results in a more shapely tone…making the message flow in a more conversational tone.

Listen to the two accompaniment style excerpts in the video below to determine which style sounds more conversational.

“No One Ever Cared for Me Like Jesus”

*Editor notes:

Accompaniment pattern #1: I basically played every word of the song.

Accompaniment style #2: I used quarter note chords here and there to break up the  repeated eighth note patterns..allowing the singer more ebb and flow of rhythm.

Click here to download FREE PDF excerpt of “No One Ever Cared for Me Like Jesus” for accompaniment style #2.

Special note:  I sang the excerpt(s) in A Major on the video (due to my vocal range but the free pdf is a half step higher in B flat Major.

I would have loved to share the entire song…but this particular hymn is copyrighted.  The “fair use” law allows me to share a small portion of a copyrighted song for educational purposes only.

A descant to melody is like a cherry on top of an ice cream sundae.  Simply…an extra added touch to compliment the main course.

Hymn tune descants are counter-melodies, generally at a higher pitch than the main melody.

~     ~     ~    From Wikipedia, the free encyclopedia

(I think of a descant as a melody within a melody).

The descant is most effective when used only on the final verse of a hymn…creating an exciting climax!  Usually a soprano or several sopranos sing the descant.  If you don’t have the voices to support the descant, a solo instrument such as a flute or trumpet can play the descant part. Sometimes the piano can carry the descant part as well.

What’s really neat is when the whole choir sings a descant part on the final verse of a congregational hymn.

The  video below contains a violin solo accompanied by the piano.  Listen for the piano playing a descant part on the first and second chorus.

Free printable descant links below: 

(the following links may contain music not in accordance with this site but still includes appropriate music for worship)

Magnolia Arts Sheet Music

Jeff Whitmill Descants

Now don’t get offended with the title of this music theory book…I use it as a reference book for my piano teaching and composing. The title…“The Complete Idiot’s Guide to Music Theory”.

The description on the front cover of this book gives an excellent overview:

“Essential information on reading and writing—including basic notes, rhythms and scales”

“Helpful hints on creating your own melodies, chords and harmonies”

“Audio exercises (CD included) to develop your ear training skills”

My favorite chapter in the Complete Idiot’s Guide to Music Theory deals with chords…(chapter 9). This chapter gives the reader an overview of the basic types of chords used in today’s music.

For example…the basic types of chords mentioned in this chapter include the following: Major, minor, diminished and augmented.  The chapter then goes into “chord extensions”…my favorite section! Oh, and the “power” chords are interesting too 🙂

There is a complete chord appendix in the back of the book that covers every kind of chord–in every key!  The writer of this book says to use this appendix when you want to write a chord but don’t know how.

List of the Appendixes

A. The Complete Idiot’s Music Glossary

B. The Complete Idiot’s Chord Reference

C. Answers to Chapter Exercises

D. The Complete Idiot’s Guide to Music Theory, Second Edition, Ear Training Course CD

Click on following link to view a sample chapter of this book:

Complete Idiot’s Guide to Music Theory

You may purchase the book at the above link or try to find on Ebay or Amazon for a more reasonable price. (make sure the CD is included)

Here is the remainder of the free congregational piano arrangement… “I Love to Tell the Story”.

I enjoy playing for congregational singing because that’s when I can “go outside the box” and play more than just melody.

Having a knowledge of chord theory opens the door for so much creativity!  For example…in measure #12…I knew the chord for the measure was a B Major chord…so I just added moving  3rds in the right hand for a fill-in. I used the same idea again in measure #18.

I’ll point out one more neat idea in measure #22.  Notice the half note octave “A” in the left hand.   An “a” minor chord can replace  a C Major chord because they both have two notes in common….”C and E”.

A “G” from a “C” chord also fits in an “a” minor 7th chord. Now if you know your theory….that will make sense.  Note members for the “a” minor 7th = ACEG

I challenge all church pianists to brush up on their scales and chord theory.  I found an excellent, practical music theory book that has been so helpful to me.  Stay tuned…for my next article on this VERY easy-to-understand book!

I Love to Tell the Story page two

I Love to Tell the Story page one