Amazing what you can find when you get organized!  I came across a piano quartet (four pianos)  of “I Am Resolved” that I wrote back in 2008.

We have gained another pianist at our church…praise the Lord!  For me…the more the merrier 🙂

So…four of us will be playing this quartet in church very soon.

This arrangement is at an early intermediate level…but sounds like an advanced piece with all four parts.  No part can stand alone.   Pianos one through four take turns playing short sections of the  melody.

Click arrow below to hear an excerpt of this upcoming exciting piano quartet…(hope to publish it by the end of next week).

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*Special note:  This arrangement will be on sale for a limited time…so be watching for it to appear by next weekend or…before.

Several months ago, I offered a free piano solo arrangement of “The Old Rugged Cross”; written in loving memory of one of my students who has gone home  to heaven.

This free piano solo arrangement of The Old Rugged Cross can be downloaded at the following link:   More Free Hymn Arrangements!

Here is a video of me playing the arrangement:

Church pianists find it an extra challenge when accompanying vocalists singing wordy hymns.  Hymns such as: In the Garden,  Wonderful Peace, Fill My Cup Lord,God Leads Us Along and No One Ever Cared for Me Like Jesus.

These wordy hymns are most effective when sung or played  in a more conversational tone to avoid a mechanical reading style often heard in young ones when they are first learning to read. How to achieve a more conversational sound?

In 4/4 time…beats one and three are naturally stressed.  Emphasizing these particular beats results in a more shapely tone…making the message flow in a more conversational tone.

Listen to the two accompaniment style excerpts in the video below to determine which style sounds more conversational.

“No One Ever Cared for Me Like Jesus”

*Editor notes:

Accompaniment pattern #1: I basically played every word of the song.

Accompaniment style #2: I used quarter note chords here and there to break up the  repeated eighth note patterns..allowing the singer more ebb and flow of rhythm.

Click here to download FREE PDF excerpt of “No One Ever Cared for Me Like Jesus” for accompaniment style #2.

Special note:  I sang the excerpt(s) in A Major on the video (due to my vocal range but the free pdf is a half step higher in B flat Major.

I would have loved to share the entire song…but this particular hymn is copyrighted.  The “fair use” law allows me to share a small portion of a copyrighted song for educational purposes only.

A descant to melody is like a cherry on top of an ice cream sundae.  Simply…an extra added touch to compliment the main course.

Hymn tune descants are counter-melodies, generally at a higher pitch than the main melody.

~     ~     ~    From Wikipedia, the free encyclopedia

(I think of a descant as a melody within a melody).

The descant is most effective when used only on the final verse of a hymn…creating an exciting climax!  Usually a soprano or several sopranos sing the descant.  If you don’t have the voices to support the descant, a solo instrument such as a flute or trumpet can play the descant part. Sometimes the piano can carry the descant part as well.

What’s really neat is when the whole choir sings a descant part on the final verse of a congregational hymn.

The  video below contains a violin solo accompanied by the piano.  Listen for the piano playing a descant part on the first and second chorus.

Free printable descant links below: 

(the following links may contain music not in accordance with this site but still includes appropriate music for worship)

Magnolia Arts Sheet Music

Jeff Whitmill Descants

Now don’t get offended with the title of this music theory book…I use it as a reference book for my piano teaching and composing. The title…“The Complete Idiot’s Guide to Music Theory”.

The description on the front cover of this book gives an excellent overview:

“Essential information on reading and writing—including basic notes, rhythms and scales”

“Helpful hints on creating your own melodies, chords and harmonies”

“Audio exercises (CD included) to develop your ear training skills”

My favorite chapter in the Complete Idiot’s Guide to Music Theory deals with chords…(chapter 9). This chapter gives the reader an overview of the basic types of chords used in today’s music.

For example…the basic types of chords mentioned in this chapter include the following: Major, minor, diminished and augmented.  The chapter then goes into “chord extensions”…my favorite section! Oh, and the “power” chords are interesting too 🙂

There is a complete chord appendix in the back of the book that covers every kind of chord–in every key!  The writer of this book says to use this appendix when you want to write a chord but don’t know how.

List of the Appendixes

A. The Complete Idiot’s Music Glossary

B. The Complete Idiot’s Chord Reference

C. Answers to Chapter Exercises

D. The Complete Idiot’s Guide to Music Theory, Second Edition, Ear Training Course CD

Click on following link to view a sample chapter of this book:

Complete Idiot’s Guide to Music Theory

You may purchase the book at the above link or try to find on Ebay or Amazon for a more reasonable price. (make sure the CD is included)

Here is the remainder of the free congregational piano arrangement… “I Love to Tell the Story”.

I enjoy playing for congregational singing because that’s when I can “go outside the box” and play more than just melody.

Having a knowledge of chord theory opens the door for so much creativity!  For example…in measure #12…I knew the chord for the measure was a B Major chord…so I just added moving  3rds in the right hand for a fill-in. I used the same idea again in measure #18.

I’ll point out one more neat idea in measure #22.  Notice the half note octave “A” in the left hand.   An “a” minor chord can replace  a C Major chord because they both have two notes in common….”C and E”.

A “G” from a “C” chord also fits in an “a” minor 7th chord. Now if you know your theory….that will make sense.  Note members for the “a” minor 7th = ACEG

I challenge all church pianists to brush up on their scales and chord theory.  I found an excellent, practical music theory book that has been so helpful to me.  Stay tuned…for my next article on this VERY easy-to-understand book!

I Love to Tell the Story page two

I Love to Tell the Story page one

One of my students, Hannah Myers, has just published her first sacred piano arrangement of “Be Thou My Vision”. (late intermediate level)  Hannah will be a freshman in junior high  this fall.

She has had some wonderful piano teachers.  I only started teaching her this past school year.  God has richly blessed her!

Below, is a video of Hannah playing her arrangement of “Be Thou My Vision”.

You can view a sample page and purchase this arrangement by clicking on the following title:

Be Thou My Vision

“I Love to Tell the Story” has always been a favorite of mine.  The story to this wonderful hymn can be found at cyberhymnal.org. This particular hymn came from a rather long poem.  The first part of the poem contained at least fifty stanzas!

I’m sharing a free congregational piano arrangement of “I Love to Tell the Story” for the advanced church pianist.  This free arrangement contains a lot of full chords which is necessary for supporting congregational singing.

I apologize for not posting as often but circumstances haven’t allowed me to do so.  I always hearing from my readers. Thanks so much for your encouragement!  I love to hear how the site has been a help to you.  That’s what keeps me going 🙂

Click here to download free piano arrangement of “I Love to Tell the Story” page one

I will post the remainder of this arrangement as soon as possible.

I Love to Tell the Story page two

One of my church pianist readers recently requested that I provide some helpful tips on how to play glissandos.

One of the trickiest technical moves in my How Great Thou Art  piano arrangement is the glissando found on page four.   (Shown below)

Glissando Tips

1.  Notice the  three tenuto (line marks) under the left hand in measure 29.  These marks are pointing out the melody for the words “…then sings my…”.  Emphasize the melody and keep the glissando volume in the background (little softer than left hand).

2. The right hand begins the glissando with the index finger immediately after the left hand plays the G octave with the first tenuto (line) mark.  (It happens to be the same G as the left thumb just finished playing in the G octave).

3. Start the glissando with your right hand index finger…flipping the right hand over after the index finger starts.  The index finger and 3rd finger will glide across the keys in an upside down, horizontal position.  Once the index finger begins…the third finger will carry the brunt of the notes as you glide upward.  The index finger will act more as a support and guide for the third finger.  Just remember….the third finger is longer so it naturally has better contact of the keys.

4.  Word of caution to church pianists:  Glide across keys in a lightweight; relaxed fashion to avoid sore fingers 🙂

Visual Tips for the Glissando in How Great Thou Art

Just discovered another website for church pianists from other online friends. Introducing…Glorious Assurance Music…a fairly new online resource for church pianists.

Two sisters, Laurie Iskat and Christie Funchess, began this website in the fall of 2010.  Their desire was to provide a resource for God-honoring  Christian music.

The arrangements range from beginner to advanced. At this time, they are offering three free arrangements (listed below). The rest of the arrangements are available for sale at a very reasonable price.

“I Will Sing of the Mercies of the Lord” peppy piano duet (late intermediate to early adv)

“Tis So Sweet to Trust in Jesus”  piano solo (late intermediate to early adv)

“How Sweet it Is”  uplifting chorus (for church use, ladies’ meetings or children’s choir)

I look forward to shopping at this resourceful site for church pianists.