Since I’ve been sick all this week…I’ve had a little spare time to write music.  One of my music writing projects has been to write a  piano arrangement  of the traditional “Wedding March” recessional.  (This is the march that is played at the end of the wedding)

There’s nothing wrong with the traditional arrangement.  I’m just ready for a change. The last few times I played this song… it sounded so repetitive. If I could just add some different chords and melody twists.

It’s a challenge to draw this song to a close at just the right moment. I always work out my escape hatch (premature ending) in advance for short weddings.  (I’ll share alternate repeats and endings in the finished arrangement).

I decided to google piano arrangements for the “Wedding March”. What a variety of styles! I heard everything from slow romantic to party time renditions of this traditional tune.   It made me think…”What mood am I trying to create?”  I think…Happy! Yeah! I’m married! Joyful!

Therefore… a happy, joyful, triumphant mood…right?  So, I’m trying to add some spice to the already traditional “Wedding March” but not overdo it… or my changes will sound out of place/out of character.

This upcoming  arrangement of the “Wedding March” will be available for sale very soon.  I will offer the arrangement at a discount for a limited time.

Click here to see new arrangement of “Wedding March”

Recently, a friend of mine was searching for “Finally Home” by Don Wyrtzen  in a lower key to sing for a funeral.  I was able to point him to MusicNotes.Com

MusicNotes.Com is an online music store specializing in downloadable sheet music.  They have over 200,000 songs in downloadable format and over 260,000 music books.  If you subscribe to their weekly email newsletter…you’ll receive coupons!  All you have to provide is your email address and a password.  Prices for their sheet music are fairly reasonable for the convenience of having the music pronto!

A great feature I absolutely love is being able to choose a lower key for the song I want to order…especially for vocal music.

Finally Home is one of those songs with a very wide note range…making it a challenge to sing  for the average soloist.  The last line of the song contains the highest note of this beautiful song.  Not everyone feels comfortable trying to hit this note…so…there is a solution…sing the alternate notes…E flat to C.  (shown below on the word “glory”).

©  Copyright 1997 by Majesty Music, Inc. (Majesty Hymnal)

*Tip: I would recommend the key of F major for bass soloists.

As I viewed part two of Christmas at Home highlights…these thoughts came to mind:

The drama and music tips found in the back of the cantata book were very helpful. For example:  Possible seating and microphone arrangement for stage.  Another great tip: “Whenever the readers are seated, their heads should be bowed. This signifies that they are “out of scene”.  (My thoughts: this also keeps the readers from being a distraction while the choir sings).

I almost forgot to mention…we chose not to  sing two of the songs in the cantata because they were more suited for a larger choir.

Notice how transitional/background music can be effective (around 8:20 on this video) * This transitional music is not in the cantata book.  I just made it up to cover a spot while the singing quartet returned to the choir.

One last reminder…this video contains only highlights of the  cantata.  The video presents a portion of the songs and drama to give you an overall  taste of this “down-to-earth” drama packed with a strong salvation message.  There wasn’t a dry eye in the auditorium when we finished this heart-gripping story.   A special thanks to Majesty Music for allowing us to share these highlights of Christmas at Home.

We look forward to learning and improving as we seek to share God’s message through music. The more prepared we can be…the more effective our music ministry will be for God’s glory.

Our church choir thoroughly enjoyed putting on this production of Christmas at Home by Majesty Music.  

Majesty Music has granted us special permission to post these highlights on youtube.

About two-thirds of our choir do not read music.  Also, several of us have about a 40 minute commute to church making for shorter rehearsals. Therefore, we simplified the music to two parts or unison.  Initially, I was to coach the speaking cast… but our other pianist’s husband had to have serious surgery…making it necessary for me to play piano in the beginning rehearsals.  I thought the speaking cast did a superb job in spite of the circumstances.

I’ll share one of our stage secrets…one of our playcast members wrote their lines on a card and stuck them to a stage prop for security.  It worked great 🙂

Enjoy watching part one of Christmas at Home (highlights)…

It’s so important to have a recap/planning session after performing a Christmas program or any program for that matter. What better time then while it’s still fresh on your mind…to take notes on ways to improve or solve other issues, making for an even better program for next year.

I’ve been taking notes while editing the video of our Christmas program. I’ll share these tips/ideas with you in hopes of helping other church pianists like myself, who help coordinate the plays/programs for their church.

Christmas Program Recap Notes

*Start Early! (start early enough to compensate for missed practices due to revivals or other already scheduled meetings that require extra preparedness for the choir.)

*Did everyone have their cues in order for things to run smoothly? (Sound crew & videographer needs a script to operate efficiently.)

*Have Pastor make necessary announcements before the program to alleviate unecessary distractions during the cantata.

*Video camera should be in a place WELL ABOVE the congregation…such as the balcony…to avoid people getting in way of camera…which can block the view of the performance.  Our whole purpose for videoing is to capture memories and to give the choir a chance to truly experience the program as a whole.  The video also gives us something to view after the fact to see how to improve.

*Final rehearsal should be scheduled the last Saturday before the Sunday performance.  The final Sunday’s rehearsal (the day of the program) should be a brief walk-through of the entire program…allowing ample time before the service begins for choir/cast members to refresh themselves.  *Suggestion: Maybe the church could provide some drinks and light snack food for the choir during this short  time of refreshment 🙂

We all need to strive to do our very best to effectively communicate God’s message of salvation whether it be through music or drama.

Colossians 3:23 “And whatsoever ye do, do it HEARTILY, as to the Lord, and not unto men.”  …Then everything falls into place 🙂

I do plan to post highlights of our entire Christmas program once the editing process is complete.

Our church just performed Christmas at Home last night. The Lord really blessed through this heart-rending story packed with a powerful salvation message.

This particular cantata was done in Reader’s Theatre style…actors face audience as they speak.  (Our actors tried to warm up the play by interacting more than the normal reader’s theatre style.)  They did a great job for starting a short while before the play. We plan to have our actors memorize their parts for any further programs.  Memorizing parts will give them more opportunity to focus  on expression and interaction/reaction.  So important!

I’m hoping to see them do this one again in full-acting style!

I’ll share a quick story about this particular cantata.  Years ago, when my son was around 4 years old…our church in Charleston (Northside Baptist Church)  did this play.  There’s a scene where the doctor amputates the drummer boy’s leg with a saw. (not literally of course).  My son thought it was real.  He wouldn’t talk to our friend (the doctor) for the longest time because of this scene.  We finally convinced him that the doctor was only pretending 🙂

I received permission from Majesty Music to post the cantata on youtube.  Since I’m still in the editing process of the tape…I’m posting several drama highlights from the cantata. You can view them below. The final video presentation will share highlights from the entire cantata.

Another nice Christmas cantata from Majesty Music is Born to Die.  I hope to use it for our church within the next several years.

Have a very merry Christmas!  I’ll post again sometime next week.

Just sharing a video of one of my newer arrangements entitled: “Angels We Have Heard on High”.  This piece was written for the elementary level pianist.

Shelley Roberts, one of my students, played it this year for the Christmas recital.

 I recently composed a congregational piano arrangement of Away in a Manger for one of my upcoming church pianists to play for church while I’m away.

So..I’ll share it with other church pianists that may be able to put it to use this Christmas.

Click here to download Away in a Manger (free congregational piano arrangement)

An upcoming young musician, Joshua Harrison, contacted me a while back  about previewing his piano arrangement book entitled: “Christmas Inspirations”. Joshua’s desire is that the Lord be glorified through his playing which is refreshing to hear…especially from a young gentleman 🙂

The book consists of nine  Christmas carols as follows:

Joy To The World!
Silent Night
Hark! the Herald Angels Sing!
The First Noel
Away In A Manger
O Little Town Of Bethlehem
Angels We Have Heard On High
O Come All Ye Faithful
I Heard the Bells On Christmas Day

Most of the arrangements are a page and a half and a couple are longer  in length…making for a nice collection of short offertories or recital pieces for students.

After clicking on following link…you must click on individual song titles  to hear sample of each song…not the book cover picture.

Click here to listen to audios of Joshua’s book entitled: Christmas Inspirations

Joshua has generously offered to give away one copy of his Christmas book (pdf format).  Simply leave a comment below to enter the drawing.  Leave a separate comment if you share the link to this article on facebook or your personal blog…allowing your name to be entered twice!

The drawing will be held on December 19th, 2011 at 10pm EST

The winner will receive his or her free downloadable pdf copy of “Christmas Inspirations” by email from the author of the book: Joshua Harrsion

I asked my readers to provide the name of an ‘awkward to play’ Christmas carol.  I would then create an article concerning that carol. “Thou Didst Leave Thy Throne” was the most mentioned piece.

Last year, I did an article on this very song but it was for ‘piano solo’ style. Today’s free piano arrangement of “Thou Didst Leave Thy Throne” will be congregational style.

As I was arranging this carol, I had to force myself to stay within the chords “as written”.  I could have added a lot of minor chords to “warm up” the piece but I stayed true to the voice parts 🙂

Due to frequent chord changes, the church pianist will have to play in a more ‘chorale’ (solid chord) style in order to support the ever-changing voice parts.  There is still time to throw in ocasional dress-ups to create a more interesting sound as you will see in today’s free piano arrangement of “Thou Didst Leave Thy Throne”.

Click here to download “Thou Didst Leave Thy Throne” before viewing editor notes below.

Editor notes for “Thou Didst Leave Thy Throne”

General information:

I tried to create smooth harmonic (chord) changes throughout… in spite of the frequent chord changes in this beautiful Christmas carol.

Here and there you’ll see where I deviated from the melody line to create a smoother move for the hands.

Notice how the right hand at the beginning…started with three notes and gradually worked into an octave format.  One of my former piano teachers always taught me to write in a more “user friendly” style for pianists in general…to avoid awkward moves/leaps.  Hopefully, this arrangement will be comfortable and beneficial for other church pianists.  I did keep the early advanced to advanced pianist in mind when creating this arrangement.

Measure #4:

Beat 2 and 3 of right hand is an echo fill-in during the held word “me”

Measure #5:

A sixteenth note improvised pattern on beat 2 is added… to dress-up the melody line and continues through measure 6.

Tip!

Church pianist tip: Learn to analyze other people’s arrangements; applying ‘learned ideas’ to your own playing. Over time, you will develop your own style but you must learn to apply learned ideas as a  springboard to developing your own style.