I never really noticed the time signature change in “Just When I Need Him Most” until today.
We sang this at our church last night for a congregational and the people REALLY enjoyed singing it. The words are so comforting!
It’s just one of those seasons at our church where there’s a lot of physical needs and such a song reminds us of Jesus’ ever-present help 🙂
We sang this song in a prayerful mood with a slow walking speed so I had time to add left hand flowing patterns similar to the following free pdf of “Just When I Need Him Most”.
Most importantly, notice the key change at the chorus….but the flow will still be pretty much the same 🙂 I actually changed to 6/8 timing one measure earlier than the hymnal shows… because it felt more natural to not hold as long before entering the chorus.
Maybe this will help a beginning church pianist to see what fill-ins could be used for a slow to medium hymn in 6/8 or 9/8 timing… such as my arrangement of “I Must Tell Jesus”.
Warning: This arrangement is NOT intended for piano solo use… due to missing melody notes at the beginning of the chorus…unless of course you know how to add them in 😉
Modulating between hymns during a prelude or other background music event can create a seamless presentation.
The absence of this art makes for a disjointed sound when going from hymn to hymn. (unless of course the songs are in the same key) 🙂
Ah….but just because the songs are in identical keys doesn’t mean the songs will always sound seamless without some type of transition. (another lesson!)
Every church pianist should try and learn the art of modulation to the best of his or her ability…in small bits at at time. For starters, learn to modulate between songs with same time signature as I have provided below. (The modulations will feel/flow a little different in 3/4 time versus 4/4 time.)
Below is a free pdf showing how to modulate up a fifth using the chord formula: ii7 to V7 of the new key. I’ve also shared a list of these two chords in the keys found on the free pdf of modulations.
“The Sands of Time are Sinking” dates back to the 19th century. Anne Cousin, the daughter of a doctor and later the wife of a Pastor, wrote this hymn based on letters and deathbed sayings of another Pastor name Samuel Rutherford. The original hymn had nineteen verses! Anne was careful to not copy Samuel’s words verbatim. She used poetic images of her own to replace some of Samuel’s sayings.
Anne’s purpose of this hymn was to show the “beautiful Christian reflection on death and what comes after, and on the beauty of the Savior.” Kevin White
What a beautiful hymn to use for a funeral service. Someone in the recent past asked if I knew of a piano arrangement for this song. My online search yielded no results. The individual needed the song pronto…so in a few spare minutes….I jotted this arrangement down and provided the person with the following hymn.
Maybe other church pianists can make use of this free hymn for a funeral service or general worship.
For the past couple of months…I’ve been creating “ready-made’ hymn arrangements for some of my church pianist students who are need of improvised hymns for congregational singing. (Can also be used as piano solo)
These hymn arrangements are nothing more than a copy of a hymn from the hymnal with my added improvised notes in red.
Just curious, would this meet the need for others as well? I’m considering adding them to our online music store if there’s enough interest.
The cost would be less than my regular “printed arrangements”.
Here’s a FREE copy of one of these ready-made hymn arrangements. (Also trying to decide what to call them….any suggestions?)
*Also…are you all ok with it being handwritten just as it appears in free arrangement below?
*Special note: THANKS for the feedback! After reading the comments here and on facebook….I will be putting these type of easy-to-play congregationals into print instead of by hand. I will do away with the original notes from the hymnbook and ONLY type in my (hopefully) easy-to-play congregational/piano solo arrangement. Thanks again for your helpful comments! I do have (more involved ) congregational piano arrangements for sale HERE.
I spent this evening writing an intermediate piano solo of “Nothing Between” for one of my piano students….Shelley Roberts.
Shelley is a junior this year and trying to teach her all I can before she reaches college age!
This particular arrangement, written for the piano student in mind, is more structured and straightforward. It’s nice to have pieces like this available for students who play offertories more often. Playing less involved offertories allows us time to focus on other repertoire during the lesson.
I do teach more involved arrangements but try to maintain a balance.
Hope this arrangement can be of use for piano students or church pianists needing an easy offertory!
Click on the following title for your free piano arrangement of “Nothing Between”.
More thots: I want to use this arrangement in an upcoming video dealing with interpretation…a VERY important factor…making for a more effective presentation.
I keep forgetting about sharing this advanced piano arrangement of My Savior’s Love. Thought I’d better do so in time for some of you to learn for Easter 🙂
I published this one in 2009…yeah…and forgot all about it until recently when one of my facebook friends mentioned liking the arrangement and someone today asked if it was available. That put me on a search!
It took a while for me to locate the original file but came across it tonight. So…hope it can be used by some of you church pianists out there! 🙂
Many church pianists have already been practicing for their church’s Christmas program.
In many cases, the church pianist IS the choir leader and has the task of deciding what to do for a Christmas program.
My son is our choir director. He works at least 50 hours a week and the father of three small children. Needless to say, I help out by coming up with a simple program to fit our 40 minutes per week choir practice time. (this accounts for starting roughly two months in advance; which may vary from church to church depending on your choir’s ability)
My son and I have about a 40 minute commute to church so we’re very time conscious!
Our most-involved Christmas program back in 2011 was entitled “Christmas at Home” by Ron Hamilton. We used the “readers theatre” version due to limited time. The main actors were acting their first play ever. (Part Two sampler of our Christmas at Home)
In recent years, we have experienced a much more pleasant, relaxing time through having easier Christmas programs.
I have written two VERY easy Christmas programs…one of which is FREE HERE. I’m still editing the second FREE Christmas program.
Now…ideas for enhancing your Christmas Program…
Lyrics taken from cantata books make for great narration when coordinating a chronological list of songs together for a short choir concert. (That’s what we’re doing this year)
Include congregation by having them sing a song in the program. ( the choir could sing a descant taken from a hymnal while the congregation sings the melody) Another neat idea…have Pastor lead congregation in reciting Luke 2:14 at the appropriate time during the program. Very effective! (Tip: Include Luke 2:14 in the Christmas program bulletin)
The congregation could also stand and sing a song following their verse (Luke 2:14) Song suggestions: Hark the Herald Angels Sing, Joy to the World (include lyrics in the program bulletin)
Easy Christmas Program Suggestion:
Several different adults recite the Christmas story(Luke 2:1-19) in microphone off stage while children in appropriate costume act out the narration.
Stage setup: Only two scenes: Manger scene center stage, shepherd scene on left or right of manger scene. (props for shepherd scene not necessary).
Songs can be inserted appropriately throughout the narration.
Extra tip:Remind children that they must listen to what’s being read so they can act accordingly…to avoid appearing mechanical
Also a good idea to remind narrators to read with conviction! It brings the story to life!!
Hopefully this will help church pianists or choir leaders trying to find last-minute ideas for an easy Christmas program.
Please feel free to leave comments or ideas below.
A reminder: I do have over a dozen FREE piano and vocal Christmas arrangements available HERE.
Sharing a few links that may give you an idea as well (don’t fully endorse all the ideas at these links… but you can sift out what you like)
One of my readers shared this video with me this week…of her son playing my free piano arrangement ofJesus Paid it All. I also enjoyed hearing the cello play along with it too! ( I liked how she changed registers for variety)
What a blessing to hear my music can reach as far as Romania and beyond. 🙂
So thankful God can use me through the ministry of music.
The skill of transposing is an extra plus for the church pianist if she or he is going to accompany someone to sing in their comfortable range…(another article) 😉
There is an art to finding just the right key for whomever you’re accompanying.
The following free pdf on Transposing Up a Whole Step will familiarize the church pianist on how to transpose up a whole step in a song of 3/4 time going into another song in 3/4 or the first song…different verse.
There are many factors to consider when creating a key change between two songs. For example, the first melody note of the second song determines the melodic direction of the key change.
Editor notes for Transposing Up a Whole Step: Lesson Two
Play measures #1,2,3 and then start another verse of Amazing Grace on 3rd beat of measure #3
Play measures #1, 2, and 4 and go right into Grace Greater Than Our Sin
Each line of this free pdf is identical to the first line except in different keys. Try finding hymns to use for the remaining lines of examples.
Variety tip: You can use this same transposition idea for a 3/4 hymn to a 4/4 hymn by holding the 3rd beat of the 3rd measure for 2 beats and then go into the 4/4 hymn IF the 4/4 hymn begins with a complete measure or at least the 4/4 hymn contains at least two beats at the beginning..in order for it to create a smooth sounding transition.
Clarification: The above transposition isn’t appropriate for congregational playing because of the additional measures used to create the key change. A shorter version would be necessary for congregational singing.
However…this transposition idea works great for offertories, preludes and accompanying instrumental or vocal special.
Click on following title for free pdf download: (Let me know if you’re having printing issues with this PDF. I think it’s just my printer but note sure..it seems my margins are wacky when it prints)
The following free pdf of transposing examples will aid the church pianist in changing from one song to the next during prelude or for background invitationals.
Keep in mind, this free pdf only showcases the chord structure for transposing up a whole step. A more detailed visual sheet with moving notes will follow in the next article on transposing up a whole step to a different song or same song/different verse.
Editor notes for this free pdf of transposing examples:
Transposing up a whole steop
3/4 time signature hymns only
Four examples shown in: E flat Major, F Major, G Major and A Major (each key signature is a whole step apart…one letter name higher than previous key)
Click on the title below to download the chord structure chart for transposing up a whole step for hymns in 3/4 time.
More thots: I want to use this arrangement in an upcoming video dealing with interpretation…a VERY important factor…making for a more effective presentation.
