It’s true…there is no friend like Jesus 🙂  The words to “No Not One” are a blessing to me but I like to dress up the accompaniment to bring the text to life.

I’m sharing another simple congregational  accompaniment for “No Not One” (verse only).  I like to alter the melody for variety and sometimes I’ll chord in place of the melody to avoid a “ploddy” tone or maybe for easier hand movement.

Click here to download: No Not One Example #2

Measure #1

Right hand: beat two and three (altered melody) Just played a stepwise movement contrary to the melody…adding a nice contrast in sound.  Beat four: played a G inverted quarter note chord in place of two eight notes for the words “is so”.  Why? Easier hand movement leading into the next chord of measure #2

Measure #2:

Right hand: beat one and two (played half note chord in place of two quarter notes for word: “lowly”.  The melody notes for this word belong in the C chord so the C chord fit nicely.

Measure $3:

I transferred the improvised (eighth note idea) from the right hand to the left hand for this second verse. To see verse one example, click on the link at the bottom of this page.

Measure #8:

Where’s the melody?!  🙂   It’s ok to wander away from the melody here and there to add  extra spice!  How do I come up with this idea? Well,  first off…I know my chord structure for that measure which is…G chord, D7chord and back to a G chord for words: “No, not one!”  I basically used a stepwise movement that included stepping tones within a G chord to a D chord and ended on a G chord. Now…for a challenge…try to apply this same improvising idea to another song.

Hmmm….I need to create another article to illustrate HOW to apply this last improvising idea to other hymns with similar structure.  Once you apply an idea to several hymns…you will find yourself feeling more confident and you’ll begin to  implement this idea into your own hymnplaying 🙂

 Click here to see Example #1 for “No Not One” simple congregational accompaniment

As promised…I’m sharing hymn improvising ideas for “No Not One”.   I love the words to this hymn but it could use some dress-up by the church pianist to give it that extra zest!  In example #1, I’ve shared a simple accompaniment for verse one.  In upcoming articles, I’ll give more examples for this particular hymn.  As I think up improvising ideas for this hymn, I consider the text and try to enrich the message by adding appropriate accompaniment.

Click here to print “No Not One” Example #1

(refer to the printed copy as you view the following notes)

Editor notes for “No Not One” Example:

I only altered a chord on measure #5 by adding G minor 7 (F natural) in left hand on word “heal”.  This particular chord (G minor 7) provides a nice “leading into” sound as it moves into a C chord on the word “soul’s”.  Adding  minor 7ths to chords always adds a warmer sound.

Ever notice how the rhythm on words “Jesus” and dis “eases” feels awkward to your hands? The hands don’t seem to go together well on these spots.  You’re right!  Take note of how I played left hand during these areas.  I basically maintained a steady beat in the left hand while the right hand played the tricky rhythm.

Click here to hear audio of: “No Not One” example #1

Click here: God of Our Fathers  (print music and view  while reading the information below)

As promised, here is part two of “God of Our Fathers”.  I used dotted rhythm in measures # 9, 12 and 14 to liven up the accompaniment.

The busy left hand octave movement was also added to give this hymn some driving motion as in measures #11, 12, 15 and 17.  (Also in the  right hand on measure #14)

This free arrangement of God of Our Fathers can also be used as a short patriotic offertory or for congregational piano accompaniment.

God of Our Fathers part one

Complete audio of “God of Our Fathers”  (computer-generated)

Click here to download and print part one of “God of Our Fathers”

“God of Our Fathers” is a wonderful hymn to sing anytime of year, but especially around July 4th. This stately hymn reminds Christians of God as their leader. 

In part one of today’s free arrangement of “God of Our Fathers” I tried to portray the majestic mood of the text by solid octave movement in the left hand and full chords in the right hand. 

The introduction (trumpet fanfare) was doubled (both hands) for a fuller sound.  The octave higher treatment gave it a brighter tone.

In measure five, I added a light touch of syncopation to the left hand  for text enrichment.  The words for this measure speak of God’s  “…almighty hand”.

Congregational singing plays such an important role in the worship service.   As a church pianist, I try to play with enthusiasm, since I represent the Lord in all I do.  I want others to know that I truly believe the words of the great hymns of faith as I play them for God’s glory.

To be honest, I don’t always feel energetic on a Sunday morning when I’ve had maybe a couple hours of sleep… but God is good. He gives me just enough energy to make it through. I’ve found I do better during those times.  I think it’s because I’m relying more on His help…as I should ALWAYS do 🙂

Part two of “God of Our Father’s” will take us up an octave as we prepare for the climax of this great hymn.  Looking forward to sharing the rest!

Click here to read the story behind “God of Our Fathers”

The “Battle Hymn of the Republic” is a hymn the church pianist must “dress-up” to enrich the congregational singing. It’s not always easy to grab every note “word” of a hymn when it contains a busy rhythm such as the frequent dotted rhythm in the “Battle Hymn”. Moving from word to word can be quite awkward for the church pianist.

Remember…the hymnal is written for voice parts not the instrument. The church pianist must learn to adapt…creating a simple but full-sounding accompaniment that will support the singers…making them sing out with even more energy and confidence.

Editor notes for Part Two of “Battle Hymn of the Republic”

*Please click here to print part two so you can view the music while you read the following notes:

1. I only added a few of the sixteenth notes from the vocal score into the piano accompaniment…creating a more user friendly hand movement, which in turn helps the pianist maintain a steady beat for the congregation.

2. When I play the chorus…I deviate so much more from the melody–using sprinkles of 3-note triplet chords in the right hand during half notes. But…I kept enough melody in the chorus of this free arrangement for church pianists that may not be use to deviating alot from the melody.

Click here for Part One of Battle Hymn of the Republic

It’s hard to believe that July 4th is so close!  Since I’ve been so busy…it takes less time for me to write an arrangement as opposed to a strict “teaching” article.  Today’s free piano arrangement of “Battle Hymn of the Republic” is arranged for congregational singing.

The hymnal version (voice parts) contain a lot of repeated notes making it necessary for the church pianist to create a more interesting sound to bring it to life!

In part one of this free arrangement…I added the vocal score above the piano score… so you could see what I’m playing as opposed to the written voice parts from the hymnal. I’ll provide an audio after I share the entire arrangement with you.

Click here for free congregational piano arrangement of: Battle Hymn of the Republic (Part One)

One of my readers recently asked if the chord substitutions of Just As I Am tutorial video was available in sheet music.  I have since created the sheet music for this brief lesson.

Click on the following link to see the video of Just As I Am chord subsitutions for the final line of this soul-stirring invitation hymn. I use the minor chord substitutions in this hymn…to give it a warmer sound.

Just As I Am (video link: chord substitutions)

Click here for free sheet music of Just As I Am chord substitutions

 Free Piano Arrangement of Just As I Am (invitation background style)

 One of my readers recently asked if I knew where to find an arrangement of  “This Little Light of Mine” that wasn’t so elementary that a choir could sing to. Well…I decided to write an arrangement of “This Little Light” and really enjoyed creating it!

Since my time is limited due to the busy month of May…much to your advantage…everyone receives this  arrangement…FREE… since that’s all I’ve had time to do this week 🙂

There are so many word variations to this song. You’re welcome to substitute your own verses 🙂

Let me say a big “thank you” to Sharon for unknowingly inspiring me to write this piano/choir arrangement of “This Little Light of Mine” 🙂

Click here to download “This Little Light of Mine”

A book  giveaway…compliments of Soundforth (BJU Press).

*This book drawing applies to residents within the US

  “Bless the Lord”, contains ten early intermediate piano arrangements by Gina Sprunger…an excellent addition to any church pianist’s repertoire!

Gina’s  introductions,  interludes and endings are a perfect fit to each arrangement.  I’ll share some of my favorite picks through audio excerpts below. Just click on a song title to hear a sample.

Come, Christians Join to Sing

Take Time to be Holy

Meditations on Praise (Bless the Lord, Holy is the Lord, Thank You Lord)

Meditation on When I Survey the Wondrous Cross

A Shelter in the Time of Storm

The remaining arrangements are:

Open My Eyes That I May See, Tis So Sweet to Trust in Jesus, We Three Kings, I Wonder as I Wander, Showers of Blessing (piano duet)

Book Drawing Guidelines:

1. Simply leave a comment to enter your name once in the drawing

2. To enter your name a second time…share this specific link for book giveaway on your blog, facebook or twitter and leave a separate comment saying you have done so.

*Winner will be chosen on May 2nd, 2011 Monday at 9pm EST

When Ordering Music From Soundforth:

*Special Note: If you order by phone and your order  is under $30…you can request US Mail to receive a cheaper shipping rate.

(Just realize there’s no tracking available with the US Mail rate)

Call toll free:      1-800-258-7288

I enjoyed improvising the chorus of “Christ Returneth”.  There are fewer chord changes in the chorus, making it easier to add extra movement.  The frequent half notes also provide time for fill-ins. 

This arrangement was written for the  intermediate to late intermediate level church pianist.  The advanced church pianist can just play more four-note chords in the right hand where feasible.

Editor Highlights for Part Two of “Christ Returneth”

1. page two (first measure)  The left hand octave movement is used to create excitement to match the words “Jesus will come in the fullness of glory”. 

2.  page two, measure #20 (where chorus begins)  A simple accompaniment is used for a more “subdued” mood.

3. page three, measure #30, third count, right hand (right hand plays octaver higher for contrast…but still remains soft).

Click here to download free sacred piano arrangement “Christ Returneth” part two

Click here for “Christ Returneth” part one