Sorry for the delay in publishing this free piano congregational arrangement of Saved, Saved, Saved!
The words of this hymn carry the message of joy a Christian has in having Christ as their personal Saviour
For that reason, the music should sound happy and upbeat to support the text.
Generally…the faster or more wordy a hymn goes, the lighter the note texture (in my opinion).
Why a lighter texture? Playing frequent big; heavy right hand chords (chords with 3 to 4 notes) throughout… wouldn’t allow for easy mobility; thus causing the pianist to “drag” the tempo.
The occasional full chords can still occur with a fast tempo…especially on long held words such as in measure #8 (see dotted half note for right hand). Full chords also sound nice and feel comfortable toward the end as tempo gets slower (see measures #19 & 20…right hand).
I also use occasional rests to provide more ease of hand movement as in measure #8…allows right hand time to ease into the fill-in. Same idea applies in measures 10, 15 and 17-19.
The rests just seem to create a more balanced “feel” when entering busy fill-in passages.
You’ll notice I use a lot of eighth notes in groups of 3’s to drive the majority of the first verse and chorus. I would change fill-in rhythms on the remaining verses to give my hands a break! Well…actually it also sounds nicer to use a variety of fill-ins for a fresher sound.
I’m thinking of a couple interpretation tips to share as well.
Hmmm….sounds like another post in the works for Saved, Saved, Saved!
Click on song title below to download your FREE copy of Saved! Saved! Saved! (one verse and chorus)
Saved! Saved! Saved!Saved-Saved