Wow! I already have a list of at least twelve different left hand patterns for hymns with busy melodies in 4/4 time!

Can’t wait to complete this first booklet of ideas!

It’s a challenge for me to focus on just one aspect while preparing instructive material because I come across so many other ideas closely related but don’t want to give you all info overload!

I’m  jotting my random ideas down and saving them for another time.

I think the greatest challenge during the prep time is coming up with a simple, concise way to present the concept.

Here’s an example of how I may display the left hand patterns on the master content list. (There will be PLENTY of visual examples to accompany these ideas)

1. octave-chord-octave-chord (all quarter notes)
2. octave-chord-octave-octave (all quarter notes)
3. octave-chord-octave-quarter-rest  (three quarter notes plus one quarter rest)

As of now….I plan to number the visual examples with the number that corresponds to the numbered list of patterns on the master content list.

There are SO many variables to this topic. I will have to discuss right hand activity as well since the left hand is affected by what the right hand plays.

For example: It’s easier on the pianist (truly!) to omit notes here and there during a busy melody  and focus more on the main beats. The singers can fill in the missing notes 😉  The key is… omitting melody in places that don’t throw off the singers.

Simple:  Start by playing melody at the beginning of the song and then omit a note here and there once you get them going 😉

More on that topic in my first booklet.