I just attended the smoothest wedding rehearsal and wedding ever!…my son’s 🙂

While flying home yesterday,  I began to list the things I observed in my son’s wedding rehearsal that helped create this seemingly, effortless event. 

 Many church pianists, like myself, occasionally find themselves in the position of wedding consultant/pianist/coordinator/etc. 

For this reason, I’ll share my wedding notes with you soon…in hopes that the list can be of help to other church pianists placed in the position of wedding assistant.

Being nervous can definitely affect the church pianist!  I can remember my early years of playing for church….knees knocking together….heart beating fast, etc.   I could barely keep my foot on the damper pedal for my leg shaking so bad!  Ever been there?

I enjoy visiting our local nursing homes and playing the piano for the elderly.  Sometimes I will play an upcoming offertory for church at the nursing home; allowing me the  opportunity to share the piece in a more relaxed setting before playing it at church.

Joy Morin, of Color in My Piano shares some practical tips for the nervous pianist.

Dealing with Performance Anxiety by Joy Morin of Color in My Piano Blog.

I’ve always enjoyed singing the Christmas carol, “Angels We Have Heard on High”.  My favorite key to sing this hymn is E flat Major.   We have a small congregation and this key works out very well for them.   Generally, we  transpose all hymns at least one step lower; making it easier for the congregation to reach the melody with confidence. (All of our congregation sings melody).

I understand not all church pianists know how to transpose. Therefore, I’m sharing this transposed version of  “Angels We Have Heard on High” in E flat Major; simple four-part style as it would appear in the hymnal.

Angels We Have Heard on High (four-part hymnal version)

 Who has TIME  to memorize music?! 

Memorizing music requires planning ahead doesn’t it? A challenge for all church pianists. 

Many pianists like myself, serve as a volunteer pianist for their church. I enjoy every minute of it…but…it does takes time to adequately prepare for offertories and other special music.

One of my goals this coming year is to spend more time planning/preparing my offertories.  I always know at least one month in advance when I’ll be playing my next offertory. I want to be as effective as I can for the Lord by being prepared. There are times I just have to play an offertory on the spot but for the most part…I know ahead of time.

Memorization should be a natural outcome of consistent practice on a particular piece over a long period of time.  Yeah…like a year!  No 🙂   Memorizing a piece can easily happen in a month to two months time with daily practice.

Choosing an offertory arrangement within your capability is of upmost importance.  Choose an arrangement well within your level so you can focus on the message and not struggle through it. It’s ok to choose a challenging piece…but be realistic 🙂  I like to find arrangements that clearly communicate the message of the hymn without too much frill.  Occasionally, I’ll play a more involved piece such as: “Saviour Like a Shepherd Leads Us’ arranged by Roger House, “Onward Christian Soldiers” arranged by Duane Ream or maybe “Blessed Assurance” arranged by Marilyn Ham.  I really enjoy these particular arrangements because each one of them conveys the meaning of the text with little deviation from the main melody of the song; allowing the listeners to follow along in their minds or in some cases (out loud)  🙂  Personally, I like hearing those in the congregation singing along with me. It means they are focusing on the message instead of me.

I”m getting off track. (Sorry about that). Back to memorizing…one of my piano teachers from high school days gave me the following memorization tip that has really helped me. He told me to “find several escape hatches” (easy places in the arrangement) that I could return to in case I got disoriented when playing from memory. To this day,  I still use this tip when playing from memory.

Joy Morin, of Color in My Piano website, offers practical memorization tips (including my favorite tip mentioned above) in the following article:

12 Tips for Memorizing Music

Are you constantly searching for piano offertory music?  It’ nice to be able to find a piano offertory book where you can use more than one or two songs.

As a church pianist, I’m always looking for offertory music.  Over time, I have created my own favorite  list of piano offertory books that I have purchased through the years.

Take a look at the list in progress under Offertory Resources at the top of my website. Hopefully, this page will be a great help to other church pianists too!

Some hymns, such as Angels We Have Heard on High, contain busy inner voice movement.

I’m referring to the weaving alto part under the melody of the chorus.

It makes it tough on the piano fingers!  There’s no need to play every note during this kind of passage.

I simply play more blocked chords that include the moving voice parts to support the singers (congregation).

Stepping bass octaves in the left hand add movement needed to maintain a peppy tone.

Just remember to simplify busy inner voice movement by using blocked chords that agree
with the voice parts.

 Angels We Have Heard on High (inner voice movement)

 Hmmm…accompaning vocalists…what a responsiblilty we have as church pianists to support the singer; allowing them to take the lead. 

Our job as a pianist is to provide a nice backdrop of sound to enhance the singer’s message. This is an area I would like to expound upon…at a later time:)

Until then….the following tips for accompanying the vocalist makes a nice start.

I came across this practical, informative article today on Sheryl Welles’ Notable Music Studio blog. The article addresses the importance of learning to accompany the vocalist.  Laura Lowe of  The Piano Studio, authored this practical advice on accompanying.

Article: Teaching Well-Rounded Musicians

Improving Ideas for Thou Didst Leave Thy Throne (part two)

The improvising ideas in this hymn are simplistic but are meant to add warmth to enhance the beautiful words of this old melody.

Improvising ideas for Thou Didst Leave Thy Throne: part one

*Keep in mind…the chords in the piano score will not match the four parts from the hymnal version.

“Thou Didst Leave Thy Throne” is a beautiful hymn to use at Christmas time.  This particular hymn contains a lot of accidentals…creating awkward moves for the church pianist.  I will attempt to create smoother harmonic changes making it more user-friendly for the average church pianist.

Editor notes for Part One of “Thou Didst Leave Thy Throne”

Download the free pdf  example here to view as you read the information below.

1. I like to use a ‘G’ natural in place of the ‘G’ sharp on the last word of line one. I just think it sounds better.

2. Notice the chord number labels in line two. Whenever a I chord is lasting more than one beat and moving to a V chord…you can substitute a vi chord in place of the I chord before moving into the V chord.   The vi chord creates a warmer tone.

In plain English…a I chord in the key of D = DF#A and the V chord in the key of D = AC#E

I look forward to sharing more improvising ideas with the rest of “Thou Didst Leave Thy Throne” in part two.

*Keep in mind…the chords in the piano score will not match the four parts from the hymnal version.

I have compiled several of my free Christmas piano arrangements under the ” Free Hymns Pdf” page for easier access. 

 Most church pianists are gearing up for Christmas; searching out Christmas piano arrangements. Hope these free arrangements are a help to your music ministry.