In my opinion, “Saved, Saved!” is one of the most awkward hymns to play for the church pianist.

It pays to have large hands for this song! Lots of octave spreads!  But…there IS an art to playing repetitive octaves in a relaxed touch…making it easier on the hand.  (I learned this art by playing classical music with lots of octave action!)

Classical music helps to develop SO many technical moves which can aid the church pianist in hymn playing. (another post!)

To be honest…I  leave out a lot of melody on this particular hymn when accompanying the congregation…freeing up the hand  to provide more of a  supportive accompaniment and to prevent awkward hand movements.

I didn’t stray too far from the melody in this version to prevent church pianists from getting disoriented. (Hee hee) Want a challenge? I’ll have to share the FUN version another time.

I will share a couple of tips via video soon for the following free pdf of “Saved, Saved!” (congregational accompaniment: verse excerpt)

Click here to download “Saved, Saved!” congregational accompaniment excerpt

Who wants the FUN version sampler?  (VERY advanced)

I know…not all church pianists have big hands like Rachmaninoff!  With that in mind…I created alternative fill-ins for the runs in The Love of God advanced piano solo that I just published a couple days ago.

I hope these alternative fill-ins will be more user-friendly for those with small hands.  The whole piece is really written for a pianist with large hands but maybe those of you with smaller hands can adapt this arrangement with these alternative fill-ins.

Just published the sheet music for the advanced piano solo of “The Love of God”.

I love to play runs as you will notice in this arrangement.  I guess you could say this arrangement is “overrun” with runs 😉

Seriously,  I tried to bring the words to life in this beautiful hymn.

“The love of God is greater far Than tongue or pen can ever tell;

It goes beyond the highest star And reaches to the lowest hell.

The guilty pair, bowed down with care, God gave His Son to win;

His erring chile He reconciled And pardoned from his sin.

Chorus:

The love of God, how rich and pure! How measureless and strong!

It shall forevermore endure, The saints’ and angels song.“

 The touching message of verse three was found written on the wall of an insane asylum….penned by a male patient.  These soul-stirring words were discovered  at the time of his death.

“Could we with ink the ocean fill, And were the skies of parchment made,

Were ev’ry stalk on earth a quill, And ev’ry man a scribe by trade,

To write the love of God above Would drain the ocean dry;

Nor could the scroll contain the whole, Tho’ stretched from sky to sky.”

What an awesome message all wrapped up in one verse!  I would venture to say this man was in his right mind when he composed this heart warming message.

The Love of God

Advanced sacred piano solo, 3 pgs. Approx. time length: 2:07 Youtube video below of entire arrangement

Price: $3.50

*Special note:  I will be providing an article with free fill-in alternatives for the runs to those who prefer the less busy passages 🙂

Finally! The Love of God advanced piano solo is complete! I wrestled with the ending for quite a while.

Thanks to Hannah Myers, one of my advanced students, for giving some excellent suggestions!

This hymn is one of my favorites.  Have you heard the story behind the writing of verse three?  Very touching!  I will have to share it soon 🙂

Just wanted to share the video of my completed arrangement for The Love of God.  Sheet music coming tomorrow!

*Click here to read introduction of diminished and augmented chords to understand the following free handout on augmented examples in hymns.

Explanation of the following visual:

When progressing from a I to IV chord…raise the 5th note of the I chord (G) to (G#) making it an augmented I chord which strongly leads into a IV chord.

  “Diminish” (verb) to make smaller vs. “Augment” (verb) to make larger

A diminished chord is a minor chord with a lowered 5th

Example:  C Eb Gb   Or expressed as: C°

Suggested role of the diminished chord: creates suspense

An augmented chord is a major chord with a raised 5th

Example:  C E G#    Or expressed as:  C+

Suggested role of the augmented chord: generates amazement; surprise; anticipation

The diminished or augmented chord is not found within the scale. The pianist must alter the notes of a chord to create either one of these chords.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Visual examples of the d diminished in the key of C Major

d diminished = D F A flat

*diminished 7ths are more common; create fuller sound

d diminished 7th = D F A flat C

The symbol ° after the chord letter name… represents diminished chord

The / separates the diminished chord from the bass note (the slash is used when the bass note is NOT the root note of the diminished chord.)

Special note:  Yes, I should have included a “slash” indicating the “C” as the bass note for the last example on the word “leads”.  Hope you caught it!  🙂

 I will share augmented examples in the next article asap!

These diminished chord examples are just a tip of the iceberg! 

This lesson does not contain a thorough list of diminished chord possibilities  within a key/scale.

Just wanted to share a couple of spontaneous prelude transitions that I created today for one of my hymn playing students during their lesson.

She’s wanting more help in the area of prelude transitions…and needed to see examples for transition ideas.

Hope they’re a help to other church pianists too!

Prelude Transition tips:

When creating a prelude transition consider the following:

1.  The time signature you’re coming from and going to

2.  The key signature you’re coming from and going to

3.  Mood of approaching song

4.  Add a ritard toward end of first song before the transition to allow breathing space for the player and listeners.

What are diminished and augmented chords?  Where can I use them? The first article on diminished and augmented chords will answer these questions.

The other post I’m creating deals with tips for choosing vocal solos for the male voice.  I enjoy the challenge of looking for solos that fit a certain person’s vocal range/ability.  Singing a song that fits the singer’s range allows for a more positive experience for the soloist as well as the listeners 😉

It’s our responsibility as Christians to be as effective as we can to carry God’s message through whatever means possible and that includes singing.

Looking forward to sharing more soon!

News for my church pianist readers: I’ve been creating video recordings of The Piano Invitation Collection and publishing them on my youtube channel.

Wow!  I just finished writing the hand-written copy for The Love of God.

I just started it yesterday!  That doesn’t happen too often.  Thank you Lord!

Now…to input it into Finale which takes at least three hours to complete along with layout details.

I  allow several days for the piece to settle before I finalize it.  Reviewing the piece after a day or so allows me the chance to catch mistakes I may not have caught otherwise or…discover a different chord path altogether, etc.