Dilemma of the Intermediate Church Pianist
The following article discusses the limitations that come with the intermediate level church pianist. A reminder, they are doing the best they can do for the moment. But with a little extra practice…they can blossom into a fuller sound of playing by expanding their right hand horizon; opening up space for more left hand creativity! The following article is meant to encourage the intermediate level church pianist.
Most intermediate level church pianists play basically in the middle area of the keyboard when accompanying congregational singing or other vocal specials.
(See the picture of their range below)
The bass part in the hymnal doesn’t normally go below the second G under Middle C and the right hand probably doesn’t go as high as the second F above Middle C unless the intermediate pianist takes quick ventures into the upper register 😉
When the right hand stays within this boundary…the left hand playing space is limited. Taking the right hand an octave higher for an occasional spin…opens up more room for the left hand. This does not mean the pianist must stay an octave higher throughout the entire hymn. It’s actually better to use a combination of both the middle or upper register for variety in sound.
When to change registers for the right hand? In my early days of training, I was taught to change right hand registers at the end of a line which equates to at least two sentences. It’s nice to gradually work your way up or down by playing extra chords or notes leading into whatever register you’re heading for.
See example below in the hymn excerpt “Like a River Glorious” (click on image to enlarge)
Click HERE to download free pdf copy of this image without comments in red
Tags: church pianist, intermediate pianist, jenifer cook, like a river glorious