The Church Pianist: Playing be Ear

Playing by ear has its advantages and
disadvantages.

I confess, “I play be ear” but I also read
music.

My parents had me take lessons when I
was in third grade.

We moved several times during my childhood
years so I had several different teachers.

God blessed me with wonderful piano teachers.

Looking back, I can see how each one emphasized
certain concepts providing me with a well-
rounded diet of learning.

My learning involved these areas:

Improvising (adding runs, chord subsitutions)
I used the “Hymnplayer” series by Flora Jean
Garlock & Judy Swaim.

Theory

Classical music, Annual solo competitions
The competitions motivated me to practice
more because I had a purpose.

Learning to read music opened up a world of
opportunities!

I was then exposed to well-structured music,
which helped to tame my own style of playing.

Rhythm was one of my major weaknesses.

As a teenager, I began writing my own hymn
arrangements, exposing my own style and
rhythmic flaws.

I then became more analytical of my playing;
counting my fill-ins to make sure I had the
correct number of beats.

I also analyzed written arrangements of
various arrangers to learn ‘proper playing’.

‘Playing by ear’ is a gift but must be harnessed
with the reins of instruction for proper execution.

I would encourage those who ‘play by ear’ to
learn to read music and study theory.

I’m so thankful for my piano instruction. It has
given me the opportunity to share my heart
through written music.

Thanks Mom and Dad for making me practice!

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