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	<title>The Church Pianist &#187; the lily of the valley</title>
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		<title>The Church Pianist: The Lily of the Valley (free piano sample)</title>
		<link>http://thechurchpianist.com/improvising-hymns/the-church-pianist-the-lily-of-the-valley-free-piano-sample/</link>
		<comments>http://thechurchpianist.com/improvising-hymns/the-church-pianist-the-lily-of-the-valley-free-piano-sample/#comments</comments>
		<pubDate>Sat, 16 Jan 2010 19:03:56 +0000</pubDate>
		<dc:creator>Jenifer Cook</dc:creator>
				<category><![CDATA[Accompaniment tips]]></category>
		<category><![CDATA[improvising hymns]]></category>
		<category><![CDATA[church pianist]]></category>
		<category><![CDATA[congregational singing]]></category>
		<category><![CDATA[free piano sample]]></category>
		<category><![CDATA[hymn]]></category>
		<category><![CDATA[the lily of the valley]]></category>

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		<description><![CDATA[&#8220;The Lily of the Valley&#8221; is a nice, uplifting hymn. Several factors make this hymn a challenge for most church pianists. The hymn is loaded with repeated notes and a very busy rhythm&#8230;(what I call&#8230;.the &#8220;wordy&#8221; hymns). You don&#8217;t want it to sound like you&#8217;re trying to chop down a tree The church pianist needs to [...]]]></description>
			<content:encoded><![CDATA[<h3>&#8220;The Lily of the Valley&#8221; is a nice, uplifting hymn. Several factors make this hymn a challenge for most church pianists.</h3>
<h3>The hymn is loaded with repeated notes and a very busy rhythm&#8230;(what I call&#8230;.the &#8220;wordy&#8221; hymns).</h3>
<h3>You don&#8217;t want it to sound like you&#8217;re trying to chop down a tree <img src='http://thechurchpianist.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </h3>
<h3>The church pianist needs to basically outline or (play) the main beats of the hymn. This particular hymn is in 4/4 time.   So&#8230;the pianist should at least play on the 1st, 2nd, 3rd and 4th beats&#8230;creating a steady, rhythmic  tempo for the congregation.</h3>
<h3>It&#8217;s not necessary for the pianist to play &#8220;every word&#8221; of the song when accompanying. Playing every word would limit the pianist&#8217;s ability to improvise. </h3>
<h3>The more familiar the congregation is with a hymn&#8230;the less dependent they are on hearing the melody.  This allows the  pianist more  freedom to stray from the melody&#8230;making it much easier to maneuver through the accompaniment.</h3>
<h3><span style="text-decoration: underline;">Editor notes for today&#8217;s free piano sample of &#8220;The Lily of the Valley&#8221;</span></h3>
<h3>Notice the left hand plays the main beats (1,2,3,4) and the right hand skip words here and there for ease of movement.</h3>
<h3>Measure #3 (beats 3 through 4)  the right hand plays notes within the chord frame being used&#8230; &#8220;sweeping upward&#8221;&#8230;for a livelier sound.</h3>
<h3>Measure #4 (beats 1 through 4) the left hand begins with a dotted rhythm for a peppy tone and drives through with octaves to maintain tempo while the congregation holds the word &#8220;soul&#8221;.</h3>
<h3>Measure #4 (beat 4) into Measure #5&#8230;the right hand moves into middle range of keyboard for variety in location.</h3>
<h3><a href="http://thechurchpianist.com/wp-content/uploads/2010/01/The-_Lily_-of-_the_-Valley_congregational-_style_-sample.pdf" target="_self">Click here for free piano sample of &#8220;The Lily of the Valley&#8221;</a></h3>
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