The augmented chord does have a special symbol.

A plus (+) sign proceeds the chord name.

For example:  The C augmented chord would be labeled

this way:  C+

The augmented chord adds a nice upward movement effect

when used in the following scenario:

When a I chord lasts for at least one measure leading into a IV chord.

Substitute the I chord with an augmented chord usually at least

halfway through the measure.

Here are a few improvised examples.

Part_Two_Augmented_Chord_Substitution

Part_Two_Augmented_Chord_Sub_Example_3

Try this augmented chord subsitution on the following hymns:

Trusting Jesus ( “Simply trusting ev’ry day) on the word “day”

The Haven of Rest (“My soul in sad exile was….)  on the word “ex-ile”

Wonderful Peace (“Far away in the depths…”)  on the word “depths”

                                         *(Also in the chorus of Wonderful Peace)…

                                                    Can you guess where? (at least two places).

What is an augmentedchord?  http://thechurchpianist.com/category/chord-substitutions/

The word “augment” means to make larger.  That is exactly what happens

when a chord is augmented…it is made a half step greater.

The augmented chord adds a touch of “suspense or anticipation” to

a song.

An augmented chord is just like a major chord (in root position)

with a raised fifth.

For example:

The  C major chord in root position = C E G

The C augmented chord  = C E G#

Any major chord can be augmented within a song as long

as it sounds right.

Alot of hymns use the augmented chord. Here are two

brief examples.

Click here: Part_One_The_Augmented_Chord

Did you find the augmented chords in the above example?

If not, here are the answers: (There was only one in each example).

Moment by Moment: on the word “by”

Thank You Lord: on the word “for”

In part two, I will share how to use the augmented chord

as a  chord substitution in hymns.

Ok…bounce a basketball and notice how your arm gives in to the bouncing motion (called…”follow through”).

Now…go to the piano and play several 4 note chords with your right hand.

Your hand and arm should give in to the weight of the initial force without a premature release.

So many pianists play full chords with a slap effect. They hit the chord and release, not giving the chord its full count.

What needs to happen is…attack and release.

The ‘attack’ is the initial force of playing the full chord.

‘Release’ means allowing the arm to rebound from the initial attack but not releasing the chord too early.

I call this the ‘Elmer’s glue’ touch. (Think of it as a delayed response).

Don’t be in a hurry to release the chords. Give them their full value.

This technique tip will prevent unnecessary strain on the hands and arms when playing songs with alot of full chording.

The music will also sound more musical and not so abrupt in tone.

~~~~Just relax and give in to the music! ~~~~~