Posts Tagged ‘chord’

The Church Pianist: Silent Night (chord substitutions)

Wednesday, December 9th, 2009

I just finished sharing chord substitutions for “Silent Night” with one of my piano students.

I was surprised at how fast she caught on to me just calling out the chord names and she just played that chord frame in the left hand while playing single note melody an octave higher with the right hand.

Special note:  This student does play by ear but can also read music.

Click on the following link for “Silent Night’ lyrics with left hand  chord substitutions:

Silent Night chord substitutions  Key of C Major

The Church Pianist: Part Two (Augmented chord Substitution)

Wednesday, August 19th, 2009

The augmented chord does have a special symbol.

A plus (+) sign proceeds the chord name.

For example:  The C augmented chord would be labeled

this way:  C+

The augmented chord adds a nice upward movement effect

when used in the following scenario:

When a I chord lasts for at least one measure leading into a IV chord.

Substitute the I chord with an augmented chord usually at least

halfway through the measure.

Here are a few improvised examples.

Part_Two_Augmented_Chord_Substitution

Part_Two_Augmented_Chord_Sub_Example_3

Try this augmented chord subsitution on the following hymns:

Trusting Jesus ( “Simply trusting ev’ry day) on the word “day”

The Haven of Rest (“My soul in sad exile was….)  on the word “ex-ile”

Wonderful Peace (“Far away in the depths…”)  on the word “depths”

                                         *(Also in the chorus of Wonderful Peace)…

                                                    Can you guess where? (at least two places).

What is an augmentedchord?  http://thechurchpianist.com/category/chord-substitutions/

The Church Pianist: Improvising Idea (Contrary Octaves)

Tuesday, August 4th, 2009

*Click the following sentence to access the music examples:

Improvising_Idea_Contrary_Octaves *pdf example

Here’s a simple improvising idea to dress up

hymns with few chord changes.

Use contrary octaves between both hands to produce

a more interesting sound.

In today’s examples, the contrary octaves will occur

when the V chord leads to a I chord.  The contary octaves can

occur in other chord progressions but  I’ll address those at

another time.

After playing these examples, try the contrary octave idea

in the following hymns:

“Showers of Blessing” ( 1st sentence on words: “…showers of….” )

“Redeemed” ( 1st sentence on words: “…love to pro-…” )

Editor notes on today’s examples:

Description of left hand octave pattern:

1st octave is same note as right hand

2nd octave steps down

3rd octave skips down