New Sacred Vocal Solo or Duet: A Passion for Souls

July 30th, 2017

A-Passion-for-Souls-image-wm

I have always loved the words to A Passion for Souls by Herbert G. Tovey but have always wished for a different melody.

While looking over the words last week…a melody begin to flow in my head and I quickly penned it to paper.

At first I thought of writing it as a solo but while singing through it with a friend I soon realized a harmony part would be nice ūüôā

My friend and I sang it this morning at church. ¬†Here’s the video.

I’ll be out of town this coming week but plan to publish it when I return.

 

 

Easy to Play Congregational Collection One is Ready!

July 29th, 2017

 

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Just published the Easy to Play Congregational Collection One today!  I will be out of town this upcoming week but will supply video or audio samples for this collection when I return.

Easy-to-Play Congregational Collection-One
Easy-to-Play Congregational Collection-One
Early intermediate to intermediate piano congregational arrangements, 16 pgs. Jenifer wrote these arrangements in an easy-to-learn fashion for the beginning church pianist. You'll find these arrangements to be fairly structured making for minimal practice. Song list: Amazing Grace, Day by Day, Grace Greater Than Our Sin, I Need Thee Every Hour, It is Well, Nothing but the Blood, Only a Sinner, O Worship the King, Satisfied, Trust and Obey. *Amazing Grace contains optional key change into Grace Greater Than Our Sin
Price: $12.00

Here’s a visual sampling of the Collection

MUSIC

 

 

 

 

Easy-to-Play-Congregational Collection Update

July 26th, 2017

MUSIC

 

Trying to finish this collection before being out of town all next week.  Not sure if I will but sure will come close!

Here’s a sampling. ¬†This picture was taken when eight were ready. I now have nine ūüôā ¬†One more to go!

 

 

New Mission’s or Invitation Song!

July 24th, 2017

So many times I have wanted to play “A Passion for Souls” for the invitation but not many people know this song…at least not in our church. The melody is ok but felt like it needed a face-lift.

I like to play familiar songs during invitation…hymns that the people know since I play¬†background music during invitation. (I miss the days of ¬†hearing the congregation sing during invitation).

Back to topic! ¬†I thought…if I could re-work the melody on this song…maybe it would revive a long lost hymn…at least for our church ūüôā

So…a new melody to “A Passion for Souls” flowed out of my mind during a recent spurt of inspiration last week. Hope the song is a blessing to you.

I’m singing it as a duet with a friend this Sunday morning. (The arrangement can either be a duet or solo) I’ll share a video of the duet asap.

Here’s a sampling of sheet music for “A Passion for Souls” which I will publish next week. (Click on image below for larger view)

A-Passion-for-Souls-image-wm

 

 

 

What I’m Working On…

July 22nd, 2017

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Every now and then I have a splurge of music ideas run through my head. Last week was one of those times. ¬†The results: an early intermediate piano arrangement of “I Must Tell Jesus” and a new melody for an old hymn “A Passion for Souls”. ¬†(Here’s a sample of the new tune)

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At the time of my overwhelming inspiration, I was in final editing stage on “Jesus Paid it All” ladies two-part arrangement, “Nearer My God to Thee” adding violin bow marks….thanks to help from one one of my violin friends…¬†Abby Phillips AND an updated version of my advanced piano arrangement of “Abide With Me” written as¬†I performed¬†for the recent Composer’s Symposium.

Just so you know…silence doesn’t mean I’m not writing ūüôā

Part Two: Modulating up a Fifth

July 21st, 2017

Modulating between hymns during a prelude or other background music event can create a seamless presentation.

The absence of this art makes for a¬†disjointed sound when going from hymn to hymn. (unless of course the songs are in the same key) ¬†ūüôā

Ah….but just because the songs are in identical keys doesn’t mean the songs¬†will always sound seamless without some type of transition. (another lesson!)

Every church pianist should try and learn the art of modulation to the best of his or her ability…in small bits at at time. For starters, learn to modulate between songs with same time signature as I have provided below. ¬†(The modulations will feel/flow a little different in 3/4 time versus 4/4 time.)

Below is a free pdf showing how to modulate up a fifth using the chord formula: ii7 to V7 of the new key. ¬†I’ve also shared a list of these two chords in the keys found on the free pdf of modulations.

Key of C

ii7 = D-F-A-C

 V7 = G-B-D-F

Key of G  *see visual of these 2 chords HERE

ii7=A-C-E-G

V7= D-F sharp-A-C

Key of D

ii7= E-G-B-D

V7= A-C sharp-E-G

Modulating up a Fifth Free PDF

I Must Tell Jesus : New Early Intermediate Piano Solo

July 19th, 2017

One of my former piano students approached me at church a couple months ago and¬†asked if I would write her an offertory arrangement of “I Must Tell Jesus”.

Well…I finally got around to it! ūüôā ¬†But what a surprise! ¬†This arrangement just flowed out of my little brain this week and I quickly penned it to paper. ¬†¬†It’s not always that easy for me to arrange a hymn!

I tried to arrange this piano solo well within ¬†her early intermediate level…hoping she could learn it soon. ¬†Even though I’m an advanced pianist…I wouldn’t mind playing this for offertory.

I Must Tell Jesus
Early intermediate sacred piano solo, 2 pgs. Approx. length 1:24

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Price: $3.00

 

 

 

New Early Intermediate Piano Solo in the Works! I Must Tell Jesus

July 18th, 2017

So much music is racing through my little brain…can’t get it on paper fast enough!

Just had this one race through my mind this morning of “I Must Tell Jesus”. ¬†I’m writing¬†this for one of my former students who I’m conditioning for church pianist.

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Part One: Modulation Formula for Most Any Key Change!

July 17th, 2017

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Introduction 

Modulating during any type of prelude (church, funeral, wedding or other occasion)…creates a smooth transition between songs. Without a smooth transition between different keys, the music will sound interrupted or very abrupt. ¬†The articles associated with this lesson and future lessons will deal with modulating to a higher key. ¬†Modulating to a lower key can also be effective but such a topic belongs in a different set of lessons.

The modulation chord formula that works for most any key change uses the  ii7 to V7 chords of the new key.

(I personally like to use the V7 sus instead of a plain V7…but will will illustrate ¬†at the appropriate time).

*Part two will provide a FREE pdf with several examples of modulating up a fifth. (C Major to G Major)

Keyboard visuals of the ii7 & V7 chords in the key of G Major are shown below. (The upcoming examples will cover C to G, G to D and F to C using this chord formula)

ii7 of G Major

ii7 of G Major

V7 of G Major

V7 of G Major

Working on the examples now and hope to share this week!

 

 

Modulation vs. Transpositition

July 14th, 2017

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Do modulation and transposition mean the same thing?  They ARE closely related but describe two different actions.

Modulation is the transition process (the key change itself)… that takes the pianist to the new key.

Transposition is playing a song in a different key than what’s written.

Next post will share a modulation chord that is commonly used for modulating from one key to another.

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