All piano books are on sale right now until September 6th at Bible Truth Music.

One of my favorite books from Bible Truth is Wonderful Grace of Jesus (piano duos). Two of these books are being sold for only $16.95!  Two copies are necessary to play two pianos unless you have two pianos side by side plus a pianist with super eyesight

I also discovered another neat site where you can purchase individual piano arrangements. I’ll have to share this information soon!

Explanation of example #2 in adding runs to hymns:

(Click on image for a clearer view)

This run created a nice fill-in where normally a dotted half note occured on the word: “Thee”.  In the original version, the G chord lasted for the entire last measure of the verse for the words: “Thee….Draw me”  I added a D (7) chord on the 3rd beat of that measure for chord variety.

 Audio Sample of Example #2

*Upcoming article: Longer example with run in middle of a sentence with user friendly fingering!  I call them cluster runs

I announced earlier about the soon coming release of my book entitled: Showers of Blessing. This piano arrangement book is now available through Soundforth. Soundforth did an excellent job putting the book together!

The book contains eight early intermediate sacred arrangements. The final arrangement is a peppy piano duet of Stepping in the Light.

Here are sample audios for each arrangement…

America the Beautiful

A Shelter in the Time of Storm

Come Thou Fount

It is Well with My Soul

Onward Christian Soldiers

Showers of Blessing

Stepping in the Light  (duet)

What Child is This

The second example of adding runs to hymns is fairly simple. I chose a hymn in G Major and 4/4 time.  The run is nothing more than a one note ascending scale used as a fill-in.  This particular run makes a nice transition from the verse to chorus.

These articles discussing runs will be broken down into even smaller segments due to my limited time this semester. I will share more explanation on this example along with an audio in the next article.

At least you can view the example and print it in advance of hearing the audio and seeing more details soon.

Runs_ in _Hymn_ example_ 2

 For years….church piano friends have been after me to produce a hymn improvising curriculum.

I would seriously like to begin working towards  such a project.  The outline of this curriculum has been in the works for quite some time… but I lack one vital ingredient…the input of other pianists!

What area of improvising do you need help with?  Transposing?  Transitions? More illustrations backing up improvising concepts?  Simple left hand patterns?  You name it!   I really want to know what your needs are.

Your comments will be kept private so feel free to share any questions.  Special note:  Sufficient feedback does motivate me to produce

Thanks for your visits and comments!

By the end of this video, we could all ask ourselves, “So…what excuse do I have for not practicing?”

Now, to a special pianist…

1. Where can I add a run?

2. What notes do I use?

3. Do I start the run on the word or after the word?

4. How do I make the run sound like it fits?

5. What fingering do I use?

6. Do I use one or two hands for this run?

Excellent questions!  I will attempt to answer these questions as I go through this series of articles on adding runs to hymns. 

Runs consist of either arpeggios (broken chords)  or scales.  Ew….got to know your theory!   (Another lesson) 

1. Arpeggios look like this… (notes on treble staff below) 

*Special note: Did you notice this particular arpeggio is the second inversion of a C chord with a passing tone sprinkled in?  Hmm…I feel more theory lessons coming. That’s ok… a little  at a time, right?!

*I’ll show an example of a scale used as a run in upcoming articles.

Some pianists find “adding their own runs” to hymns or playing runs in hymn arrangements to be rather difficult.  Let me give you a helpful suggestion…isolate the run…turn it into a technical exercise and learn it well. 

When playing runs or anything else for that matter, it is extremely important to use correct fingering.  Many church pianists never had the proper training in this area…making it difficult for them to play in a smooth style. It’s ok..not your fault. I’ll provide  fingering suggestions on today’s example of a run…to help you produce a flowing style. This first example will use a right hand arpeggio in an octave format (spread).

Editor notes for today’s example:

The example contains the final phrase of Trust and Obey, written in congregational style.

The run occurs on the second syllable of the word “Je-sus”  

 Notice the ritarando marking  (rit.) starting ahead of the run… so the run won’t sound rushed as though it was just carelessly thrown in. I’ll provide an audio link for this example.

The measure containing the run has an extra beat to allow time for the run. (This isn’t always necessary)

 Click on the following…Runs in Hymns (Example #1)

Audio for Trust and Obey Run

How many church pianists are interested in learning how to add runs to hymns?  Do you ever wonder where the best place is to insert a run?

I consider this a fun topic!  I’ve been wanting to share ideas on adding runs to hymns for quite some time.  This will probably be a series of articles. Each article will contain at least one written example of a run in a hymn.

I’m excited about the upcoming release of my first piano arrangement book being published by Soundforth.  The piano book entitled, Showers of Blessing,  contains seven early intermediate arrangements (six solos and one piano duet).

The arrangements will work well for pianists with small hands.

Audio samples will be provided very soon.  Stay tuned for publication notice.

 It always excites me to have young people wanting to get involved in the music ministry.  Our church family is so supportive of their  young people’s endeavors to serve the Lord.

Hannah and her family have recently joined our church and they are a blessing.  Hannah hasn’t had lessons in a little while and is a level one student.  She is anxious to begin lessons this fall and is ready to  serve in the area of music.  Amen!

I recently gave her one of my beginner arrangements of “Nothing But the Blood“ along with an audio to help her out.  To my surprise, she had it down in a short time.  (It’s always encouraging to work with self-motivated young people) 

As a church pianist, I try to encourage our youth to get involved in the music minstry.  I’m thankful that our young people are interested in doing so. The younger they start, the easier it becomes as they gain experience and much practice.   I usually schedule the younger ones for a Wednesday or Sunday evening until they feel more comfortable.  (Sunday mornings require longer offertories due to a larger attendance.)

Here is a video of her playing the offertory at our church this past Sunday night. (Notice the encouraging responses at the end)

I’m also providing this arrangement free…with this article.  I plan to offer more of the beginning student hymn arrangements as time allows…in the music store.