Archive for the ‘Theory’ Category

Transposing Up a Whole Step: Lesson Two

Wednesday, August 24th, 2016

Transposing-Up-Whole-Step-Lesson-TwoThe skill of transposing is an extra plus for the church pianist if she or he is going to accompany someone to sing in their comfortable range…(another article) 😉

There is an art to finding just the right key for whomever you’re accompanying.

The following free pdf on Transposing Up a Whole Step will familiarize the church pianist on how to transpose up a whole step in a song of  3/4 time going into another song in 3/4 or the first song…different verse.

There are many factors to consider when creating a key change between two songs. For example, the first melody note of the second song determines the melodic direction of the key change.

Editor notes for Transposing Up a Whole Step: Lesson Two

  1. Play measures #1,2,3 and then start another verse of Amazing Grace on 3rd beat of measure #3
  2. Play measures #1, 2, and 4 and go right into Grace Greater Than Our Sin

Each line of this free pdf is identical to the first line except in different keys. Try finding hymns to use for the remaining lines of examples.

Special Note!

Variety tip: You can use this same transposition idea for a 3/4 hymn to a 4/4 hymn by holding the 3rd beat of the 3rd measure for 2 beats and then go into the 4/4 hymn IF the 4/4 hymn begins with a complete measure or at least the 4/4 hymn contains at least two beats at the beginning..in order for it to create a smooth sounding transition.

Clarification:  The above transposition isn’t appropriate for congregational playing because of the additional measures used to create the key change. A shorter version would be necessary for congregational singing.

However…this transposition idea works great for offertories, preludes and accompanying instrumental or vocal special.

Click on following title for free pdf download: (Let me know if you’re having printing issues with this PDF. I think it’s just my printer but note sure..it seems my margins are wacky when it prints)

Transposing Up a Whole Step Lesson Two

Transposing Up a Whole Step: Lesson One (see chord structure for the above free pdf.

Transposing Up a Whole Step: Chord Structure

Tuesday, August 16th, 2016

small manuscript thumbnail pic

The following free pdf of transposing examples will aid the church pianist in changing from one song to the next during prelude or  for background invitationals.

Keep in mind, this free pdf only  showcases the chord structure for transposing up a whole step.  A more detailed visual sheet with moving notes will follow in the next article on transposing up a whole step to a different song or same song/different verse.

Editor notes for this free pdf of transposing examples:

  • Transposing up a whole steop
  • 3/4 time signature hymns only
  • Four examples shown in: E flat Major, F Major, G Major and A Major (each key signature is a whole step apart…one letter name higher than previous key)

Click on the title below to download the chord structure chart for transposing up a whole step for hymns in 3/4 time.

Transposing Up a Whole Step

 

His Eye is on the Sparrow: Almost Ready!

Thursday, July 7th, 2016

Sparrow-with-color

I have a friend test-driving “His Eye is on the Sparrow” vocal solo arrangement 🙂

Hope to publish this arrangement in the next week or two.

I know I’m slow but I try to focus on quality and not quantity as my husband kindly reminds me to do.

 

The Old Rugged Cross (fill-in ideas with hymnal version)

Monday, April 4th, 2016

I recently published fill-in ideas for The Old Rugged Cross.

One of my readers asked me today if I could include the fill-ins on the printed hymnal version for ease of use.

I had to cut and paste and resize the fill-ins to fit the printed copy of the hymnal version so it’s kind of rough looking but it’s the best I could do with time allowed in my schedule.

Thanks for the suggestion Becky!  🙂

Click on following titles to download your free copies of the following:

The Old Rugged Cross (verse fill-ins)

The Old Rugged Cross (chorus fill-ins)

Most Awkward Hymns to Play

Tuesday, February 23rd, 2016

Just curious…what seems to be one of the most awkward hymns for you as a church pianist to play for congregational singing?

As soon as I collect a sizable list (at least 10)…I will number them and draw a number out of the hat and write a free congregational piano arrangement of that particular hymn. *Please: One hymn suggestion per person

Special note: Please only choose hymns that are in the public domain.

Here’s how a public domain hymn may appear

Public domain hymn

*Sometimes a public domain hymn will have no credits at the bottom like this:

Public domain hymn

Just avoid choosing a hymn with this symbol © at the bottom of the page such as the following:

Copyrighted Hymn

 

But Until Then (chorus) fill-in ideas

Wednesday, February 10th, 2016

But-Until-Then-chorus-fill-ins-

One of my readers requested fill-in ideas for the song But Until Then.  I already shared fill-in ideas for the verse in a previous article HERE.

The chorus of But Until Then may be a challenge for church pianists who don’t feel comfortable improvising.  The fill-in notes are what give the music a forward motion; adding life to the hymn…IF the fill-in notes are rhythmically correct 😉

Since this particular hymn is under copyright…I’m limited on what I can share according to the US Copyright Office.

For a simple explanation, I will paste and copy a portion of the description for the Fair Use Act from US Copyright Office website:

Fair Use Copyright Act

Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.

The amount being considered “fair use” is up for debate but I try to stay on the conservative side of usage which explains why I presented a “cut and paste” layout of only the long held words.

Click below to download your free copy of:

But Until Then (chorus) fill-in ideas

But Until Then verse fill-in ideas

But Until Then (fill-in ideas)

Tuesday, February 2nd, 2016

notes on staff clipar

One of my readers recently asked if I could share fill-in ideas for the hymn… But Until Then.

Wow! Lots of held words in this hymn….making it a challenge for the church pianist to maintain a steady flow while wondering what to add!

This particular hymn is still under copyright….thus limiting what I can share but will do my best!

Here are several fill-in ideas for the verse of But Until Then.

I will share a few fill-in ideas for the chorus in the next post.

Click on following song title to download free fill-in ideas for this hymn.

But Until Then

Sorry I couldn’t share the chorus now but working on other arrangements.

 

Free Piano/Vocal Solo Arrangement: I Shall Know Him

Monday, October 12th, 2015

music manuscript icon

Just started revival meetings with Alton Beal this week to last through Wednesday.

My daughter-in-law will be helping me with accompanying this week so I wrote this arrangement (I Shall Know Him)… for her to accompany the vocal solo for tonight.

The vocal soloist happens to take a lot of freedom with the text …lots of ebb and flow. So I freed the pianist from the melody to allow more freedom for the pianist and soloist.

Wanted to share this free piano/vocal solo arrangement  for “I Shall Know Him” before running errands!

Click on title to download free arrangement: I Shall Know Him

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

 

 

Accompanying Made Simple by Shelly Hamilton

Monday, August 31st, 2015

pen laying on staff paper

I recently attended a couple piano workshops by Shelly Hamilton.

“Accompanying Made Simple” was a very practical workshop providing the church pianists with simple yet practical ideas for accompanying special music.

Shelly brought her accompaniment suggestions to life by offering a free arrangement of Day by Day which includes three different accompaniment styles.  Thanks Shelly!

I attended Shelly’s workshops so that I could share accompaniment ideas with my church pianist readers.  Click on the following links to download the handouts for this workshop.

Accompanying Made Simple (outline)

Day by Day page one

Day by Day page two

No Transposing Needed! Free Prelude!

Wednesday, July 22nd, 2015

Closeup  Piano Keys

Are you a church pianist that doesn’t know how to transpose?  Do you choose hymns for prelude that are in the same key for this very reason?  I have good news for you!

It is not always necessary to transpose from one song to the next if you go up a perfect fourth between each hymn.  I’m providing a free prelude below but read the important info below before you hurry to print the free prelude.

~   ~   ~   ~   ~   ~   ~   ~   ~

Going Up a Perfect 4th Interval From One Hymn to the Next Hymn:

What You Need to Know:

1. An interval is the distance between two notes

Example:

C to D is a 2nd interval because you count from 1 t0 2 to go from    C to D.

C to E would be a 3rd interval and C to F a fourth.

2. Within every key/scale… the fourth interval is called a perfect fourth which consists of five half steps.  So… from C to F is a perfect fourth.  Why is it called a perfect fourth?  Just accept it and go on or if you’re curious…check out the following links 🙂

Music Practice & Theory

Music Reading Savant

Quick quiz in Creating Perfect Fourths:

What is 5 half steps (a perfect 4th) above F? Answer is:  B flat (see picture below)

Perfect-4th-F-to-B-Flat

(Are you noticing that we’re going in order of the flat keys as we go up a 4th?)

The key of F Major has one flat, the key of B Flat Major has two flats.  Cool!

Ok….so what is 5 half steps (a perfect fourth)… above B flat?  You got it!  E flat and the key of E flat has three flats.

Now…let’s apply this “no transposing” concept using the following  hymns which are a perfect fourth apart for a nice topical prelude!

Click on each song title to download for FREE!

Free Prelude for Church Pianists:

At Calvary –  C Major

Since I Have Been Redeemed – F Major

Power in the Blood – B Flat Major

Saved by the Blood – E Flat Major

*All of these arrangements are from our free arrangement page(s)

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