I’ve been busy creating this collection of early intermediate piano congregational arrangements!

More details soon!

One of my viewers recently requested fingering suggestions for my free arrangement of “The Old Rugged Cross.”

I added the suggested fingering by hand.  This is just the fingering that’s most comfortable for me.

Here are two different free PDFs for The Old Rugged Cross…

The Old Rugged Cross without fingering

The Old Rugged Cross WITH fingering

Add a sparkle to your hymn playing with this simple right hand run!

I picked up this four note run idea from my piano teacher, Judy Andrews years ago!

It’s a neat sounding idea that adds sparkle to a hymn.

I’m working on the final congregational arrangement for my third volume of piano congregational arrangements!

This volume is geared to the church pianist at the early advanced level. Check out Piano Congregational Arrangements Volumes One & Two.

This collection will be published on July 20, 2023 at a special rate of  $13 (sales price good for July 20th (3pm EST)  through July 22nd (10pm EST)  After this time, the regular price of $16 will apply.

Several years ago, I shared a post about The Role of the Church Pianist.

I thought I would add a few extra thoughts on our role as church pianists.

I need to remember I am a servant of the Lord no matter what ministry I do.

Paid or unpaid…we are servants of the Lord.

Suggested tips for coaching vocalists:

1.  Build a trusting relationship with someone before dishing out advice.  Careful to admonish in a constructive manner. For example,  “You have a wonderful voice but this particular song (though a great song) is outside your vocal range.  Would you mind trying another song that better suits your voice? You will be so much more effective when you’re not having to struggle to reach real high or low notes.”   * Sometimes high notes can be altered to make a song within means.
2.   One thing I like to do when rehearsing with a vocalist is to call out question phrases ahead of each phrase being sung…forcing the singer to focus on the message of the song…thus making it more meaningful to them.  * I do this more with ensembles.

One of my readers asked me how I keep my music organized for services.

I just came up with a more reasonable way this past Sunday.

I created two sticky tabs to use in the hymnal for our two congregationals per service. The third sticky tab marked with a “C” stands for choir special.

Our choir typically sings a song from the hymnal for Sunday mornings because we don’t have everyone with us until Sunday night service.  Quite a few of our choir members either work in our children’s ministry or work in the nursery.

That’s just part of having a small church 🙂

My son, the choir director, has a notebook full of our 8.5 x 11 sheet music for the choir.  I have the same type notebook.

I think we’re going to create a hanging file for each of our notebooks because the notebooks are getting full!

We already have all of our choir music in hanging file folders in alphabetical order.

I also carry around a two pocket folder that houses my AM & PM sheet music for upcoming vocal & offertory specials.  Works great for me!

It’s also been helpful to have a hanging file folder for each person who sings on a regular basis.  They can always fall back on a song they’ve done before  in case they’re filling in at the last minute.

Here’s how my pianist hymnal would look like on a typical Sunday morning.

I included a pic of our “order of service” which the Pastor provides for us.

I’m sharing a brief list (below) of some of the ideas I walked away with after my annual meeting with my piano friend Meryt Wilson.

Hopefully they are a benefit to you as well.

Before I forget, one of the sacred piano books I recommended to Meryt was “Sacred Reflections” by Virginia Halberg.

This book has my favorite arrangement of “Great is Thy Faithfulness”  Suggestion:  I delete measures 45-50 and I end earlier at measure #91. (see image below)

I ended earlier because I didn’t feel the need to continue any further with the extra triplet note section. (personal opinion)

Thinking about Dad a lot lately. He’s been in heaven a little over a year now. (June 2)

I will always remember how Dad sang with gusto not only in his vocal solos but also while leading the congregational singing.
He truly felt the music.

The following tip is for church pianists who accompany vocal or instrumental solos. This pertains to soloists who are comfortable “taking the lead”.

It’s helpful to slow down prior to a fermata or slower section for emphasis.  Also, I try to keep the music moving forward during a held word to keep the music alive.  Basically,  FEEL the music with the soloist to give he or she the best “behind the scenes” support.  Remember to constantly monitor your accompaniment volume so as not to drown out the singer or instrumentalist. Have someone sit out toward the back of the auditorium during practice… to check volume between pianist and soloist.

Here’s Dad directing the congregational singing at the South Carolina Association of Christian Schools 50th Teacher Convention in 2017. The second video is me accompanying Dad.

Here’s a list at what I’ve been writing and hope to publish very soon!

One Day (congregational) *early advanced

Wonderful Grace of Jesus (congregational)* early advanced

My Country Tis of Thee (piano trio) Levels:  Early elementary, Late elementary & early intermediate

My grandson and two other pianists will be playing My Country Tis of Thee for July 2nd am service.